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La Grande Illusion (1937)

La grande illusion (original title)
Not Rated | | Drama, War | 12 September 1938 (USA)
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During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.

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Writers:

(scenario and dialogue), (scenario and dialogue)
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Nominated for 1 Oscar. Another 6 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
... Le lieutenant Maréchal
... Elsa
... Le captaine de Boeldieu
... Le captaine von Rauffenstein (as Eric von Stroheim)
... Cartier - l'acteur (as Carette)
Georges Péclet ... Le serrurier (as Peclet)
Werner Florian ... Le sergent Arthur
... L'instituteur (as Daste)
Sylvain Itkine ... Le lieutenant Demolder (as Itkine)
... L'ingénieur (as Modot)
... Le lieutenant Rosenthal (as Dalio)
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Storyline

During 1st WW, two French officers are captured. Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds, as Rosenthal, son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape. A few months later, they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape... Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

A Film of Great Power and Compassion! See more »

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

12 September 1938 (USA)  »

Also Known As:

Grand Illusion  »

Filming Locations:

 »

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Box Office

Opening Weekend USA:

$50,793, 13 August 1999

Gross USA:

$172,885, 2 December 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (1937 release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Most of the scenes involving Erich von Stroheim were improvised on the day of filming. He and Jean Renoir would discuss in German what they would be doing, von Stroheim would write it out in English and then give it to assistant director Jacques Becker and script girl Francoise Giroud to translate into French for the screenplay. See more »

Goofs

When Lt. Maréchal is climbing down the rope from the watchtower the wooden window shutters can be seen closing above him even though he closed them himself minutes prior. See more »

Quotes

Lieutenant Maréchal: We've retaken Douaumont! They announce it themselves!
POW in drag: "La Marseillaise" please.
[singing]
POW in drag: Allons enfants de la Patrie...
French POWs: [singing] Le jour de gloire est arrivé! Contre nous de la tyrannie, L'étendard sanglant est levé, Le jour de gloire est arrivé! Contre nous de la tyrannie, L'étendard sanglant est levé...
See more »

Connections

Referenced in Jeopardy!: Episode #33.30 (2016) See more »

Soundtracks

Frou-Frou
(1898) (uncredited)
Music by Henri Chateau
Lyrics by Hector Monréal and Henri Blondeau
Performed by Fréhel and Jean Gabin
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User Reviews

Classic film on the death of ancient regimes
21 March 2000 | by See all my reviews

In the old European order, pre-WWI, one nation's aristocracy made war on another's not out of love for king and country or hatred for the enemy, but out of a sense of honor and duty. War was what they did, these aristocrats of l'ancien regime. Their castles in the air, their noble worldview, their time-honored way--all would crumble, as they very well knew, if the line between the rabble and themselves were allowed to continue to blur. The masses had new and different loyalties.

"La Grande Illusion" in 1914 was the hope that that old order could be preserved in the face of surging democracy and noveau-riche power. Jean Renoir's film presents us with an irony: the martial elites of France and Germany needed the war to vouchsafe their very identities, and yet that conflict would prove their undoing. Whatever side won, the hoi polloi would gain the upper hand.

Restored from its original camera negative, the 1937 French film now on DVD sparkles like new. The restoration lets us see that nothing is dated about this work of genius, even if its POW-camp situations today seem stock and its characters stereotypes of nationality and class. The fine acting, the deft pacing, and the fluid camerawork make for a film that could have been produced last year. The whispered subtext, the nuanced conflicts, and the ironic complexity make for a film that is timeless.

The subtext is the eternal tension between "in the air" and "on the ground," "on high" and "here below," "from a distance" and "up close and personal." From a distance, war is no more rancorous than a chess game, with national boundaries as artificial as the squares on a chessboard. Up close and personal, war separates humans from their lives and aspirations, lovers from their beloveds.

The old elites loved nothing but their class and its accoutrements. It was peasant stock and noveau riche who belted out national anthems and honored the borders which in wartime could sever lover from lover but, paradoxically, also shield prison-camp escapees who made it across them to sanctuary. Renoir's genius was that he could show that an emergent new order, manifestly better on the ground, comes at a steep price, tragically, in the air.


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