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La Grande Illusion (1937)

La grande illusion (original title)
Not Rated | | Drama, War | 12 September 1938 (USA)
Trailer
2:05 | Trailer

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During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.

Director:

Jean Renoir

Writers:

Charles Spaak (scenario and dialogue), Jean Renoir (scenario and dialogue)
Reviews
Nominated for 1 Oscar. Another 6 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Jean Gabin ... Le lieutenant Maréchal
Dita Parlo ... Elsa
Pierre Fresnay ... Le captaine de Boeldieu
Erich von Stroheim ... Le captaine von Rauffenstein (as Eric von Stroheim)
Julien Carette ... Cartier - l'acteur (as Carette)
Georges Péclet Georges Péclet ... Le serrurier (as Peclet)
Werner Florian Werner Florian ... Le sergent Arthur
Jean Dasté ... L'instituteur (as Daste)
Sylvain Itkine Sylvain Itkine ... Le lieutenant Demolder (as Itkine)
Gaston Modot ... L'ingénieur (as Modot)
Marcel Dalio ... Le lieutenant Rosenthal (as Dalio)
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Storyline

During 1st WW, two French officers are captured. Captain De Boeldieu is an aristocrat while Lieutenant Marechal was a mechanic in civilian life. They meet other prisoners from various backgrounds, as Rosenthal, son of wealthy Jewish bankers. They are separated from Rosenthal before managing to escape. A few months later, they meet again in a fortress commanded by the aristocrat Van Rauffenstein. De Boeldieu strikes up a friendship with him but Marechal and Rosenthal still want to escape... Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

Chosen by the 1958 Brussels Film Festival As One of the Six Best Films of All Time! See more »

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | German | English | Russian

Release Date:

12 September 1938 (USA) See more »

Also Known As:

La Grande Illusion See more »

Filming Locations:

Chamonix, Haute-Savoie, France See more »

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Box Office

Opening Weekend USA:

$50,793, 13 August 1999

Gross USA:

$172,885, 2 December 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1937 release)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The movie title "La Grande Illusion" is a reference to the pre-war book "The Great Illusion" by Norman Angell, which argued that war was outmoded, unscientific, and absurd. Though little-known today, it was a tremendous sensation when first published in 1909, and was often cited as evidence that a long European war "could not happen". Renoir aptly picks the title for his own work, knowing that his audience would recognize the reference. See more »

Goofs

When Lt. Maréchal is climbing down the rope from the watchtower the wooden window shutters can be seen closing above him even though he closed them himself minutes prior. See more »

Quotes

Capt. de Boeldieu: Out there, children play soldier...
Capt. de Boeldieu: In here, soldiers play like children.
See more »

Connections

Referenced in Manhattan (1979) See more »

Soundtracks

Si tu veux marguerite
(1913) (uncredited)
Composed by Albert Valsien
Lyrics by Vincent Telly
Performed by Julien Carette
See more »

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User Reviews

 
A Humanist Classic
31 January 2002 | by MasooSee all my reviews

Grand Illusion is a movie about class that doesn't hate anyone. How often does that happen? Yes, there are namby-pamby movies that "show all sides" and bore everyone with their non-existent point-of-view, but that's not what I mean. And, of course, there are plenty of movies about class that reveal their biases from the start; I'm rather fond of Eat the Rich movies, myself. But Grand Illusion is about class without dismissing any of its characters. The aristocrats whose world is disappearing are presented as tragic figures, stuck in a code of life that is rapidly becoming meaningless. Both aristocrats know their time is past; the French one accepts this as probably a good thing, the German one doesn't (and blames the French one's sentiments on the French Revolution), but they both know their way of life is soon to be forgotten. And it would be easy for Renoir, when he made the film in the mid-30s a French communist with proletarian sympathies, to demonize these two. But he doesn't; he allows them their humanity, which is the most characteristic feature of Renoir movies in any event (he is the great humanist of movie history).

Nor does he show the collapse of the old way as an unfortunate preface to chaos. The bourgeois characters are good people. The world might be safe in their hands, as safe as in any other hands at least (except for the propensity among nations for war). All of the middle and lower-class characters in the movie are presented as people, not stereotypes. But Renoir doesn't accomplish this by collapsing all class boundaries into some homogenous universalism. These characters remain trapped within their class, and their class is clear to the viewer. The movie is not about the absence of class but about the crushing ironies of the very real existence of class in the lives of the characters. To show all classes without condescension, while retaining a particular point of view (that while people are good, it's best that the aristocratic world is in decline), is pretty amazing.

In Grand Illusion, the nominal hero is working/middle-class, but the upper class isn't evil and the lower class isn't romanticized or dismissed. And it's all accomplished in such a seamless way that many, if not most, first-time viewers might easily think it was a fine movie but something less than great. It sneaks up on you, and more than just about any film you can name, rewards multiple viewings.


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