A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and ... See full summary »
Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants ... See full summary »
Olivia de Havilland,
Waldo and Irene have been living with Margit for the four years that they have been engaged. Margit has planned the wedding and the honeymoon - in fact, Margit plans everything down to what they will have for breakfast every day. The only problem is that Waldo is a milquetoast and Irene does not want to be married to a milquetoast. So she says she is in love with Charlie, a bohemian artist/producer who lives in a trailer behind Spike's Place. When Margit confronts Charlie about giving up Irene, Charlie sees that she is the one for him. To make everyone happy, Charlie will have to help Waldo get a backbone.Written by
Tony Fontana <email@example.com>
In a scene near the end that takes place in William Powell's trailer, an Oscar statuette is visible in the background standing on a white shelf. In the next shot, the statuette is on top of a black box that is on the white shelf. The following shot has the Oscar back on the white shelf. A few moments later, the statuette is knocked over, and is seen toppling from on top of the black box again. See more »
A screwball romantic comedy...but somebody forgot to tighten the screws. Confusion reigns after a ne'er-do-well man becomes involved with both a would-be actress and her domineering, humorless sister. Funny cast (including the "Thin Man" couple, Myrna Loy and William Powell) have a high time with their eccentric characters and fast, witty dialogue, but the plot is extremely thin, taking everyone around in circles. Too bad this didn't have firmer handling, the potential was here for a comedy classic. Loy's continuous bad temper gets the biggest laughs, however the wild slapstick climax boasts some very amusing sight-gags. **1/2 from ****
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