Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X". After Alyce goes to London to meet a beau...
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Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X". After Alyce goes to London to meet a beau (bumping into dancer Jerry Halliday, instead), she is restricted to the castle to curb her scandalous behavior. Albert then summons Jerry to Alyce's aid in order to "protect his investment".Written by
Diana Hamilton <firstname.lastname@example.org>
Lord Marshmorton calls Reggie a "saxaphone-playing pest", when Reggie has been playing the trumpet. See more »
If you're not here on time, I'll have to get myself another stenographer.
Another stenographer? Do you think there's enough work for the two of us?
Look. I mean I'm going to fire you.
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Fred's first film for a while without Ginger was a money-loser for RKO, and it is easy to see why. The main problem is the lacklustre playing of young British actress Joan Fontaine, out of her depth in a film that requires her to be both alluring and a fitting dance partner for Astaire. That she is no dancer is made clear by George Stevens's ham-fisted direction of their one duet, using trees as bad camouflage for her lack of skill.
Aside from a fitting leading lady, though, there's quite a few things that keep you watching. Fred Astaire has some fine solo dance pieces to do, especially using percussion instruments. There's a lot of interplay with the talented comics George Burns and Gracie Allen, too, which lifts the pace a lot. One section has the three of them ending a Fun House trip by dancing in the Hall of Mirrors.
There's a good Gershwin score, including such gems as 'Nice Work If You Can Get It', and there's even an opera-loving butler, whose obsession comes to a head in a hugely enjoyable piece of humour. But 'A Damsel in Distress' is ultimately let down by the damsel, who doesn't measure up!
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