While in a train halted at a station, Nikki Collins witnesses a murder committed in a nearby building. When she brings the police to the scene of the crime, they think she's crazy since ... See full summary »
Edward Everett Horton
A piano teacher believes that her fiancé was killed on the battlefield. When he miraculously returns, they decide to marry, but are threatened by a wealthy, egotistical composer the piano teacher started dating on the rebound after she became convinced her love had died.
Danny is a content truck driver, but his girl Peggy shows potential as a dancer and hopes he too can show ambition. Danny acquiesces and pursues boxing to please her, but the two begin to spend more time working than time together.
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
Marsha Mitchell, a traveling dress model, stops in a southern town to see her sister who has married a Ku Klux Klansman. Marsha sees the KKK commit a murder and helps District Attorney Burt Rainey in bringing the criminals to justice.
It's 1930 in a European metropolis. Lisa Koslov, a young, innocent woman, is a student of piano at the city's music conservatory. She is without her mother for a few days for the first time in her life, her mother, out of town on family business, who she cannot turn to at this time for advice in dealing with the advances of an older man, who she will learn is famed composer/conductor/pianist Michael Michailow. Despite not feeling that spending time with Michael is the right thing, she is unable to fend off his advances, which he is able to manipulate to his advantage. Lisa is on a night out at a cabaret with Michael when the cabaret's aging singer, Vera Kowalska, spots Lisa and Michael in the audience, Vera who shoots Michael dead before he and Lisa can leave. At Vera's murder trial where Lisa is among the eyewitnesses testifying for the prosecution, Vera readily admits that she shot Michael, but she will not talk otherwise to defend herself by providing justifying reasons for her ...Written by
Director Joe May was so determined to make this a close remake of the German film Mazurka (1935) that he kept a print of "Mazurka" on the set and frequently ran sections of it, to the annoyance of the new film's cast. In addition to copying the German original shot-by-shot in many scenes, this film also reuses the original score and songs. See more »
This Kay Francis film is a textbook on how to act in a natural manner, even for the minor characters. The dialogue, expressions of the actors, direction and camera work make this little film a true gem. Note that there is no obscene language, nudity or violence for its own sake, and yet the message is very powerful and memorable. Perhaps someday a farsighted film company will come along and make films like this once again so that serious subjects can be viewed and absorbed by the whole family.
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