Harvey Cheyne is a spoiled brat used to having his own way. When a prank goes wrong onboard an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a fishing boat just heading out for the season. He tries to bribe the crew into returning early to collect a reward but none of them believe him. Stranded on the boat he must adapt to the ways of the fishermen and learn more about the real world.Written by
Col Needham <email@example.com>
Again-as in the stirring "Mutiny"- you live the roaring drama of men against the sea. You share the struggles, the heartaches, the laughter of courageous souls who leave the women they love to dare the wrath of the angry waves... See more »
Spencer Tracy regularly grumbled over the two-hour process of having his hair curled every day and admittedly faked his way through a "Portuguese" accent, making most of it up as he went along. Fortunately, the screenwriters had tried to tailor Manuel's dialogue to Tracy as much as possible while still remaining true to the original spirit of Rudyard Kipling's story. See more »
It does not make sense that Harvey's teachers could expect him to be independent if he is only ten. In the novel he was fifteen. See more »
Here, I've got one!
[Pulls up his line, but no fish]
You got new idea, maybe, too, huh? What you think? We just feed fish, free, here, for nothing?
I-I guess I was too anxious, again.
I told you, stay away from that anxious business. Let the fish be anxious. Here. Look. One - Two - Now it's in his mouth - Now, up he come.
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The opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood. See more »
Freddy Bartholomew is brilliant in the role of this spoiled manipulating young boy. I love this movie. I think any film where the character makes some sort of change in themselves or in the world around them has a special quality. Some attempt this and fail miserably, gaining only my enmity. (i.e Mr Holland's Opus) Visually this movie reminds me of "The Net" by Winslow Homer. I used to stare at the painting while laying under my grandmother's sewing machine. Lionel Barrymore is as endearing as ever. Spencer Tracy does a wonderful job if you can get around the accent. Please see this film when you can.
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