A Soviet farmer's son, who is working at a Kolchos is killed by his father, who wants to burn the fields of the Kolchos to damage the Soviet Society.
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Title: Bezhin lug (1937)
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Cast
| Credited cast: | |||
| Viktor Kartashov | ... | Stepok (as Vitya Kartashov) | |
| Nikolay Khmelyov | ... | Peasant | |
 |
Pyotr Arzhanov | ... | Political Commissioner (as Pavel Ardzhanov) |
|
|
Yekaterina Teleshova | ... | President of Kolkhoz |
|
|
Nikolai Maslov | ... | Arsonist |
|
|
Yakov Zajtsev | ||
| Rest of cast listed alphabetically: | |||
| Stanislav Rostotskiy | ... | Boy | |
|
|
Boris Zakhava | ... | Stepok's Father |
Edit
Plot Summary
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Storyline
A Soviet farmer's son, who is working at a Kolchos is killed by his father, who wants to burn the fields of the Kolchos to damage the Soviet Society. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
Plot Keywords:
father | anti clericalism | homoerotic fight | homoeroticism | controversy |Certificate:
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See full technical specs »
Details
Country:
Soviet UnionLanguage:
RussianRelease Date:
1937 (Soviet Union) See more »Also Known As:
Bezhin Meadow See more »Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
(reconstructed) | (Buenos Aires Festival Internacional de Cine Independiente)Sound Mix:
MonoColor:
Black and WhiteAspect Ratio:
1.37 : 1
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Did You Know?
Trivia
Sergei M. Eisenstein reportedly claimed to have a print of this film hidden away where no one could find it. In the 60 years since his death a print has not been found. It is believed to have been among the cans of film the Soviet government removed from Eisenstein's home the morning after his death. See more »Frequently Asked Questions
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Enjoy a night in with these popular movies available to stream now with Prime Video.
This retelling of a classic Communist, collectivist tale is one of the greatest losses to Communism the cinematic world has felt. Destroyed by the Soviets along with several other banned films, restoration artists were able to, more or less successfully, piece the story together again, from the damaged original negative, as a series of stills and a rehashed set of intertitles. The dynamism that must have accompanied the moving images of this film has, unfortunately been lost, but the stills themselves are fantastic, and a great tribute to Eisenstein's art.