"Lucky" Walden is a power lineman-turned-criminal. He is due to go to the electric chair, which he helps prison electricians wire correctly, when his sentence is commuted for an act of ...
See full summary »
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading ... See full summary »
Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
Uneducated and poor, Libby lives a sheltered life in a broken down shack with her unloving parents. When a work crew of San Quentin convicts arrives to put in a new road, she takes an ... See full summary »
Stanley and Oliver are mousetrap salesmen hoping to strike it rich in Switzerland, but get swindled out of all their money by a cheesemaker. While working off their hotel debt, Oliver falls... See full summary »
The decurion Randus holds himself so well in the command of his troops, that Caesar promotes him to centurion. He is subsequently sent to Egypt, to keep Caesar informed on the actions and ... See full summary »
Gianna Maria Canale
"Lucky" Walden is a power lineman-turned-criminal. He is due to go to the electric chair, which he helps prison electricians wire correctly, when his sentence is commuted for an act of heroism. But he finds the wrong side of the law more attractive, and returns to his nefarious ways.Written by
Jim Beaver <firstname.lastname@example.org>
The movies loved rogues in the old days. Whores with hearts of gold (though they couldn't call them that,--whores I mean), con men who were kind to widows and orphans, gangsters who were really robin hoods in fedoras and pin-striped suits. This was especially true in the economic hard times of the Depression. One saw fewer of such films after the war. Nowadays things are quite different, and the formula would seem ridiculously old-fashioned and corny. Maybe the rise of mass education had something to do with it. As people have become more middle class they are increasingly concerned about "respectability". In the days when most people worked with their hands or lived off the land the good bad guy thing was acceptable. But enough sociological musing. In this film the good bad guy is Bruce Cabot, who could play really bad guys quite well also, which gives his character added ambiguity. The setting is New York, the work is power lineman. Cabot is credible in both his good and bad aspects, which makes his nice guy attributes more effective than had his role been played by, say, Don Ameche. Director Eddie Cahn, a master of the short subject, directs this one for speed and beauty. It has plenty of both. The backlot cityscapes are something to see.
7 of 10 people found this review helpful.
Was this review helpful to you?
| Report this