Haisley's life in danger when he takes the place of an agent dealing with the Russian mob after the agent realizes his contact already knows him and Gage must decide whether to let Haisley go on with...
Matt trails a terrorist entering America from Mexico the Agency suspects is a suicide bomber, but his exact target is unknown. In the meantime, Haisley becomes attracted to a translator working the ...
The show was originally conceived as a look at how the CIA was surviving in the post-Cold War era. When the World Trade Center was destroyed, it changed the entire focus of the show and required the replacement of the character of Alex Pierce. See more »
Incredibly well-researched and thought-provoking drama
I rarely watch network TV for anything more than an occasional graze, but since Daniel Benzali joined the cast, the Agency is my one unbreakable weekly appointment with a network show. The three-way relationship between Bridges, Carroll, and he has just the right edge. And, Carroll works so much better with both of them than he did with the holier-than-thou Pierce (insipidly played by Ronny Cox, a normally fine actor in the wrong role). In fact the series has improved markedly with every addition AND DELETION. The feckless Gil Bellows was the only agent who seemed not to belong, and he left in a fitting and dynamic demise. Speight gets better and better, and works well with Clennon and Turco.
But, what really rocks me is the even-handedness of the scripts, dealing head-on with terrorist issues more objectively and evenhandedly than our media dare to, and not a false note has been struck all year since this show came to be. Any show boasting Wolfgang Peterson and Shaun Cassidy as co-producers can be expected to be unusual, and the Agency succeeds in being anything BUT run-of-the-mill. Long may it run!
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