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Complete credited cast: | |||
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Harold French | ... | Tommy Blythe |
Francis L. Sullivan | ... | Rodney Haines | |
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Alexander Field | ... | Sam |
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Ben Field | ... | Lamberti |
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A. Bromley Davenport | ... | Colonel Graham (as Bromley Davenport) |
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Herbert Lomas | ... | Pollard |
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David Butler | ... | Doctor |
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Harry Adnes | ... | Jerry Balvern (as Henry Adnes) |
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James Knight | ... | Garnett |
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Henry B. Longhurst | ... | Inspector Bradley (as H.B. Longhurst) |
Rene Ray | ... | Mary | |
Diana Beaumont | ... | Hilda | |
Barbara Everest | ... | Madame Lamberti |
Slippery Rodney Haines runs a high-class gambling joint in Hampstead, while elsewhere in London Lamberti's Fair for the less-well-off is on its last legs. The only link between them seems to be Tommy Blyth, whose betting has put him in serious debt with Haines and who fancies Mary, the Lamberti's adopted daughter. In fact, there is a further unexpected link between the two worlds. Written by Jeremy Perkins {J-26}
I really enjoyed this old fashioned slice of melodrama that ties in a plot involving a struggling fun fair and a gambling joint run by a scheming crook. Although the plot hinges on a massive coincidence that the viewer just can't take seriously, there's something deliciously exciting about the premise and the oddball cast of characters who populate the narrative.
The main character is a toff played by Harold French, a star who later gave up acting and become a director. French is in debt to a dastardly crook played by the larger-than-life Francis L. Sullivan who gives a wonderfully old-fashioned performance that Tod Slaughter would be proud of. Sullivan was perhaps best known for his role as Mr. Jaggers in David Lean's GREAT EXPECTATIONS.
While horse racing and gambling plays a backdrop to this part of the tale, the viewer is also introduced to the woes at a local fun fair where a lack of cash and competition from new-fangled cinemas mean it's the end of the road. However, mystery surrounds the background of orphan girl Rene Ray, and the two story lines end up colliding. Ray is young and lovely and everything you would want from an actress in this part.
The short running time means that the focus is on action and incident, and all of this builds up to an electrifying and fiery climax that is incredibly well staged on what must have been a tight budget. The high rise stunts don't disappoint either. WHEN London SLEEPS, despite being an all but forgotten film, is a highly entertaining drama-cum-thriller and feels much more modern than a film made in 1932. I recommend it.