7.6/10
5,835
31 user 37 critic

A Day in the Country (1946)

Partie de campagne (original title)
Not Rated | | Short, Comedy, Drama | 12 December 1950 (USA)
The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.

Director:

Jean Renoir

Writers:

Jean Renoir, Guy de Maupassant (short story)
Reviews
1 win. See more awards »

Photos

Edit

Cast

Complete credited cast:
Sylvia Bataille ... Henriette
Georges D'Arnoux Georges D'Arnoux ... Henri (as Georges Saint-Saens)
Jane Marken ... Madame Dufour (as Jeanne Marken)
André Gabriello André Gabriello ... Monsieur Dufour (as Gabriello)
Jacques B. Brunius Jacques B. Brunius ... Rodolphe (as Jacques Borel)
Paul Temps Paul Temps ... Anatole
Gabrielle Fontan Gabrielle Fontan ... La grand' mère / Grandmother
Jean Renoir ... Père Poulain / Uncle Poulain
Marguerite Renoir Marguerite Renoir ... La servante / Waitress
Rest of cast listed alphabetically:
Pierre Lestringuez Pierre Lestringuez ... Un vieux curé / Old priest
Edit

Storyline

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Genres:

Short | Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »
Edit

Did You Know?

Trivia

Future leading directors Jacques Becker and Luchino Visconti worked as Renoir's assistant directors. See more »

Connections

Referenced in We All Loved Each Other So Much (1974) See more »

User Reviews

 
I've been thinking of it every day....
23 February 2006 | by drunk-drunker-drunkestSee all my reviews

Just how unfinished "Partie De Campagne" truly is remains something of a contentious issue. There are countless differing theories and opinions, some of which seem to have been instigated by the director himself. There are those, this reviewer included, who believe Renoir originally intended this film as one-half of a double feature of Guy De Maupassant adaptations. Whatever might have once been planned, however, does nothing to soften the radiant beauty and brilliance of the film.

Renoir had collected around himself a group of friends and family in the hope of creating what he later described as a "holiday" atmosphere during the scheduled week of filming. In accordance with the story on which it is based, long summer days and balmy afternoons by the river banks were called for in Renoir's script. Unfortunately, the cast and crew were faced with a damp, dismal July which continued long into August. Cramped up in the lobby of the hotel, sheltering from the storms outside, personal tensions and rivalries soon inevitably surfaced. With the months continuing to pass and little to show the financial backers in the rushes, money became scarce. Eventually, after refusing Sylvia Bataille's request for leave so she might audition for a future project in Paris, the director himself nonchalantly announced he would be abandoning the film to concentrate his efforts on his next film, Les Bas-fonds.

Considering all of the above, it is miraculous that the film we see today is such a luminous, sensual masterpiece.

Much is made of Renoir's use of deep focus techniques in films such as Le Regle de Jeu and La Grande Illusion, quite rightly so, but it is also used to great effect in this film. The film's early scenes largely take place inside a rural inn. Renoir keeps the camera mostly in one place, stationary. Then, suddenly, a window is opened; light floods in, we see trees, a breeze blowing lightly through grass, a young woman and her mother arcing high into the summer air on swings. Now we cut to a close-up of the girl, with the camera fixed to the swing, an accomplice to her every movement. She is laughing, ecstatic, exhilarated by her surroundings. It is an exhilarating moment in cinema, the sudden infusion of life and nature into the film echoes in the viewer's mind throughout the short running time.

Renoir is a great film-maker, perhaps the greatest of all, and this is a great film, perhaps his greatest of all.


37 of 46 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 31 user reviews »

Frequently Asked Questions

This FAQ is empty. Add the first question.
Edit

Details

Country:

France

Language:

French

Release Date:

12 December 1950 (USA) See more »

Also Known As:

A Day in the Country See more »

Company Credits

Production Co:

Panthéon Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Contribute to This Page



Recently Viewed