7.7/10
10,731
87 user 63 critic

Swing Time (1936)

Not Rated | | Comedy, Musical, Romance | 12 October 1936 (Brazil)
A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring dancer.

Director:

George Stevens

Writers:

Howard Lindsay (screen play), Allan Scott (screen play) | 1 more credit »
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Won 1 Oscar. Another 1 win & 3 nominations. See more awards »

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Cast

Complete credited cast:
Fred Astaire ... Lucky Garnett
Ginger Rogers ... Penny Carroll
Victor Moore ... Pop Cardetti
Helen Broderick ... Mabel Anderson
Eric Blore ... Gordon
Betty Furness ... Margaret Watson
Georges Metaxa Georges Metaxa ... Ricky Romero
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Storyline

Lucky is tricked into missing his wedding to Margaret by the other members of Pop's magic and dance act, and has to make $25000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted (till the end of the film at least!) by his old attachment to Margaret and hers for Ricardo, the band leader who won't play for them to dance together. Written by Sebastian Gibbs <sjg94@aber.ac.uk>

Plot Summary | Add Synopsis

Plot Keywords:

dance | wedding | love | dancer | performer | See All (66) »

Taglines:

A Tune Swept Show of Love on the Go! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

12 October 1936 (Brazil) See more »

Also Known As:

I Won't Dance See more »

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Box Office

Budget:

$886,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The original concept of "Bojangles of Harlem" was actually much more elaborate than what ended up on film. A scenario called "Hot Fields" was prepared as a loose parody of the all-black vehicle "Green Pastures." It would have involved the Bojangles character traveling through a variety of stylized sets representing Heaven, Hell and jungle locations, and would have involved many routines with that most familiar Bill Robinson setting - stairs. Thirty-three scenes would have been required. No doubt such an elaborate series of sequences was deemed to be too expensive to construct and film. All that remains in the film is an introduction to the character involving an outsized bowler hat which turns into enormously long legs. See more »

Goofs

Mabel sits as Romero leaves after proposing. The position of her foot and crossed legs changes several times. See more »

Quotes

Mabel Anderson: Beautiful, isn't it?
Everett 'Pop' Cardetti: What is?
Mabel Anderson: The music.
Everett 'Pop' Cardetti: What music?
Mabel Anderson: The music they're playing.
Everett 'Pop' Cardetti: Oh, yeah.
[pause]
Everett 'Pop' Cardetti: What made you think of it?
Mabel Anderson: Think of what?
Everett 'Pop' Cardetti: The music.
[...]
See more »


Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
In the score a bit for the second wedding
See more »

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User Reviews

 
48 takes?!! Jeez!!
8 December 2004 | by movibuf1962See all my reviews

This was, in many ways, the zenith of the Astaire-Rogers 10-film saga. And it manages to reveal a perfectly cohesive story (as well as a marvelous musical score) without one frame of mistaken identity or a misunderstanding which takes an hour-and-a-half to resolve. (Spoiler-ish) Astaire is initially betrothed to society girl Furness, but goes out into the world to raise a wedding dowry and ends up meeting, dancing with, and falling in love with Rogers instead. (If it reads like it all happens too fast, by all means acquaint yourself with the rest of the A-R film series.) The plots ultimately didn't matter- only the duo's ravishing dance duets, which were their love scenes. Probably no more thrilling dances have ever been presented on film: the tap routine "Pick Yourself Up" which first introduces the couple to each other; the 'lovely Waltz in Swing Time' (a happy duet which sort of marks the Act 1 finale); and the dramatic "Never Gonna Dance." This number is stunning for two reasons: it's a dance of a break-up, and it's the dance which may have been their most difficult to film. Because Astaire's mantra was uncut (or nearly uncut) dance numbers, his duets with Rogers were usually all done in one unbroken camera shot. In "Never Gonna Dance," the action travels from one dance floor up two curved staircases to another, cutting only one time, to a final 2-shot showing Rogers gloriously spinning in and out of Astaire's arms several times before making a dramatic exit. The shoot, history says, lasted from mid-morning until about 4 a.m. THE NEXT DAY, as take after take of the dance was spoiled with one problem after another (cameras bumping into walls, lights crashing, Astaire's toupee flying off his head!). Eventually, Rogers' feet bled into her high heels, but neither she nor Astaire wanted to stop until they got it right- and they finally did on take number FORTY-EIGHT. Now that's entertainment.


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