7.3/10
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San Francisco (1936)

A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.

Director:

W.S. Van Dyke (uncredited)

Writers:

Anita Loos (screen play), Robert E. Hopkins (from the story by) (as Robert Hopkins)
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Won 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Clark Gable ... Blackie Norton
Jeanette MacDonald ... Mary Blake
Spencer Tracy ... Father Tim Mullin
Jack Holt ... Jack Burley
Jessie Ralph ... Mrs. Maisie Burley
Ted Healy ... Mat
Shirley Ross ... Trixie
Margaret Irving ... Della Bailey
Harold Huber ... 'Babe'
Edgar Kennedy ... Sheriff
Al Shean ... Professor
William Ricciardi ... Signor Baldini
Kenneth Harlan ... 'Chick'
Roger Imhof Roger Imhof ... 'Alaska'
Charles Judels ... Tony (as Charles Judells)
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Storyline

Mary Blake arrives at Blackie Norton's Paradise gambling hall and beer garden looking for work as a singer. Blackie embarrasses her by asking to see her legs, but does hire her. She faints from hunger. Nob Hill Socialite Jack Burley and Maestro Baldini of the Tivoli Opera House see her singing and offer her a chance to do opera, but Blackie has her under a two-year contract which she sorrowfully stands by. Later, when he makes up posters featuring Mary in tights, she does leave for the Tivoli. Blackie gets an injunction against Burley, but knocks out the process server when he hears Mary's performance as Marguerite in "Faust". She asks her to marry him and she agrees to go back to the Paradise as his kind of singer, but Blackie's childhood chum Father Tim intervenes. After Blackie slugs the priest, Mary leaves. She is soon the star of the Tivoli and Blackie's place is closed down. She sings a rousing "San Francisco" on behalf of the Paradise at the annual "Chicken Ball" and wins the ... Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

They were born to fall in love! See more »

Genres:

Drama | Musical | Romance

Certificate:

Unrated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

26 June 1936 (USA) See more »

Also Known As:

A Cidade do Pecado See more »

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Box Office

Budget:

$1,300,000 (estimated)

Gross USA:

$3,248,291, 31 December 1948

Cumulative Worldwide Gross:

$13,122,717, 31 December 1936
See more on IMDbPro »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Jeanette MacDonald personally chose Spencer Tracy for the second male lead. Previously Tracy had mainly been cast as heavies; this role completely turned his career around. See more »

Goofs

As Blackie walks away from a building being blown up (actually a process shot), Clark Gable's head becomes momentarily transparent. See more »

Quotes

Jack Burley: [referring to Mary Blake] Well, there's no law against an opera singer being slender, young and beautiful.
See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

How Dry I Am
(uncredited)
Traditional
Played during the ringing in of 1906
See more »

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User Reviews

 
The Barbary Coast, the priest, the singer and Blackie.
5 August 2002 | by silveraukSee all my reviews

San Francisco hundred years ago must have been an attractive place to be before the earthquake. The director W.S. Van Dyke made other disaster-movies for Hollywood but this must be his best. The special quality of this movie is that the effects of the earthquake are secondary to the story-telling of Robert E. Hopkins and the script by Anita Loos. Everybody is moved by the quarrel opposing Father Tim Mullin (Spencer Tracy) and Blackie Norton (Clark Gable) for the singer of the opera Mary Blake (a magnificent Jeanette MacDonald). Jack Burley (Jack Holt) is impressive as he ought to be. The nightclub "Paradise" is realistic as it was at that time without exaggerating. This is a movie about morals: how you can remain decent in a decadent environment.


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