This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he ...
See full summary »
Alpha's been raised along scientific principles, and will make Mike Regan a great human interest story for his paper. But when his interview prompts Alpha to run away from the institute and... See full summary »
What do women want? Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to ... See full summary »
Young Jane Benson just about manages to make ends meet running the large family house in Yorkshire. In love with local doctor Freddie Jarvis, she suggests they marry, but almost at once ... See full summary »
An artist's daughter becomes suspicious when new paintings by her supposedly dead father begin turning up in New York. When a gallery owner is murdered, the Falcon and Miss Wade head for ... See full summary »
In their last semester at Harvard, Sam Thatcher and his roommate, who is nicknamed "The Lippencott", have grand ideas of seeing the remote corners of the world, they having booked passage ... See full summary »
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »
Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he's unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.Written by
Rod Crawford <email@example.com>
Beautiful Women...saints and sinners, tender and tempestuous...feeding the fires of his genius with reckless abandon! Eager to share his exciting life...his intense love...even the wrath of men who cried: "Shame!" See more »
This film was included in the first syndicated television presentation of a package of major studio feature films on USA television; it premiered in Baltimore Friday 6 August 1948 on WMAR (Channel 2), followed by Philadelphia Friday 13 August 1948 on WFIL (Channel 6), by Boston Sunday 22 August 1948 on WBZ (Channel 4), by Chicago Monday 30 August 1948 on WGN (Channel 9), by Los Angeles Tuesday 7 September 1948 on KTLA (Channel 5), by Cleveland Sunday 19 September 1948 on WEWS (Channel 5), by Salt Lake City Sunday 10 October 1948 on KDYL (Channel 4), by New York City Friday November 5, 1948 on WPIX (Channel 11), by Atlanta Wednesday 26 January 1949 on WSB (Channel 8) and by Dayton Monday 23 May 1949 on WHIO (Channel 13). The package consisted of 24 Alexander Korda productions originally released theatrically between 1933 and 1942. See more »
When Rembrandt reveals the newly completed painting, 'The Night Watch', we see not the full, original version that he in fact painted, but the drastically butchered version that was made over 40 years after his death, when the painting was moved from its original exhibition space in the Kloveniersdoelen to a less capacious display space in the Amsterdam Town Hall in 1715. See more »
Rembrandt van Rijn:
What is success? A soldier can reckon his success in victories, a merchant in money. But my world is insubstantial. I live in a beautiful, blinding, swirling mist.
See more »
Opening credits prologue: In the seventeenth century Holland was a world power, her ships carried treasure to Amsterdam from all parts of the earth. But her proudest glory was the son of a miller from Leyden, Rembrandt Van Rijn, the greatest painter that has ever lived. He died in obscurity, his belongings no more than a few shillings.
Today no millionaire is worth the money the works of Rembrandt would realise, if ever offered for sale. See more »
Truly wonderful and worth all the plaudits piled on this film after sixty-odd years. Laughton was arguably never better than in this role and has able support from Elsa Lanchester, Gertrude Lawrence (fascinating to see her and she made few films and they are rarely seen nowadays), the Livesey clan etc etc. A film of atmosphere, of clarity, and of soul, like a Rembrandt painting in fact. Marvellous.
12 of 13 people found this review helpful.
Was this review helpful to you?
| Report this