6.9/10
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17 user 12 critic

The Princess Comes Across (1936)

A woman pretends to be royalty in order to get aboard a cruise ship.

Director:

William K. Howard

Writers:

Walter DeLeon (screen play), Francis Martin (screen play) | 4 more credits »
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Cast

Complete credited cast:
Carole Lombard ... Princess Olga
Fred MacMurray ... King Mantell
Douglass Dumbrille ... Detective Lorel
Alison Skipworth ... Lady Gertrude
George Barbier ... Captain Nicholls
William Frawley ... Benton
Porter Hall ... Robert M. Darcy
Lumsden Hare ... Detective Cragg
Sig Ruman ... Detective Steindorf (as Sig Rumann)
Mischa Auer ... Detective Morevitch
Bradley Page ... The Stranger
Tetsu Komai Tetsu Komai ... Detective Kawati
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Storyline

A Swedish princess boards an ocean liner in Europe en route to an acting career in America, and finds herself getting inconveniently attached to a bandleader returning home. To complicate matters, a blackmailer on board apparently knows she is not who she claims to be - and he has his sights set on other passengers with secrets of their own. In the meantime an escaped killer has stowed away under someone else's identity, and is killing again to cover his tracks; five international police detectives on board are heading the investigation to find him. When evidence points to the princess and bandleader, they must find the killer themselves - before he finds them. Written by scgary66

Plot Summary | Add Synopsis


Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French | Swedish

Release Date:

22 May 1936 (USA) See more »

Also Known As:

Concertina See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Second of four movie pairings of Carole Lombard and Fred MacMurray from 1935 to 1937, succeeding Hands Across the Table (1935) and preceding Swing High, Swing Low (1937) and True Confession (1937). See more »

Quotes

Benton: Take Terry McGovern. There was a fellow with a left hook. All he had to do was hit you in the chin and break every bone in your ankle.
See more »

Soundtracks

Awake in a Dream
(1935) (uncredited)
Music by Friedrich Hollaender
Lyrics by Leo Robin
See more »

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User Reviews

 
Diverse elements don't quite jell
29 July 2005 | by Igenlode WordsmithSee all my reviews

'The Princess Comes Across' was billed as 'a curious blend of comedy, murder-mystery, romance and music'; the 'curious' is certainly without question, but the degree to which the mix blends is, I feel, open to some doubt.

On the whole this is mainly satisfactory from the comedy angle. The sole musical element consists of casting our hero, played by Fred McMurray, as a concertina-player, a choice of instrument guaranteed to provide humour by its plebeian contrast to royalty. McMurray also sings a spoof ode to his concertina at the obligatory onboard musical evening that gathers all the murder suspects together -- save one! -- to stage the climax to the mystery plot. Unfortunately the solution to the latter turns out to be extremely lame, the plot line having been again almost totally subjugated to the need for laughs, and chiefly providing an excuse for the introduction of four stereotyped comedy detectives -- the dapper Frenchman, the pompous Prussian, the pipe-smoking Englishman and the devious Russian -- and an opportunity to implicate Carole Lombard's Swedish princess.

Lombard's haughty impression of the princess who just wants to be left alone is the main selling-point of the film, and the difficulties this role places in the way of romance with her cocky concertina artiste, 'King' Mantell, provide most of the rest of the comedy. Filmed through a gauzy lens, she has perhaps never been more beautiful, and the script handles her predicament with sympathy, but this one gimmick isn't quite enough in the end to carry off the rest of this mish-mash of a film.

Ultimately I felt that it strains at too many different goals and falls short of most of them: its worst actual defect is the hand-waving denouement to the detective plot, which is of a nature to embarrass Agatha Christie at her most contrived, but the climax to the romance also somehow struck me as arbitrary and unsatisfactory, given how hard her character has defended her increasingly impossible situation throughout the rest of the film. Again, I get the feeling that the plot demands of the comic and romantic set-up respectively are pulling in conflicting directions rather than forming a happy blend.

Not a long-lost classic, but a curiosity, perhaps; worth seeing for Lombard's title performance, but ultimately less than a harmonious whole.


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