Larry Poole, in prison on a false charge, promise an inmate that when he gets out he will look up and help out a family. The family turns out to be a young girl, Patsy Smith, and her ...
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Larry Poole, in prison on a false charge, promise an inmate that when he gets out he will look up and help out a family. The family turns out to be a young girl, Patsy Smith, and her elderly grandfather who need lots of help. This delays Larry from following his dream and going to Venice and becoming a gondolier. Instead he becomes a street singer and, while singing in the street, meets a pretty welfare worker, Susan Sprague. She takes a dim view of Patsy's welfare under the guardianship of Larry and her grandfather, and starts proceedings to have Patsy placed in an orphanage.Written by
Les Adams <firstname.lastname@example.org>
Louis Armstrong was hired for this movie at Bing Crosby's insistence. Crosby also insisted that Armstrong receive prominent billing, the first time a black actor shared top billing with white actors in a major release film. See more »
J. C. Hart:
The Chaplain tells me you're due out of here next week. Where do you aim to go?
Well, it depends on the wind. You see, with me, when I leave a place I get myself a feather and toss it up and which ever way the wind blows, well, that's were I go.
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Bing Crosby is one of the few performers who while he performed in over 70 films while he was alive, was so talented he has now appeared as a performer in just as many after his death in archive footage. He was a very shrewd Businessman too. This film, released by Columbia, was really made by a production company partly owned by Bing. A lot of film historians forget how Democratic the earlier years of films were where often the actors owned their own productions before the studio system really took over in the late 1930's. The big stars like Crosby even later than this had the power to own their own films and get a piece of the box office.
This film has the major attraction of Crosby in his prime with plenty of support and a fine performance by Louis Armstrong who is one of the great musical performers of the era too. Directed by Norman Z McCleoud who is a comedy director with Monkey Business & Horsefeathers, 2 of the great Marx Brothers films already on his resume, this film flows along quite nicely. The script is light hearted and puts together just enough plot to get through all the great musical numbers.
This is the type of film that isn't made anymore but is great to see, especially since a lot of Crosbys work is very entertaining. This one holds up well even today after all these years.
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