A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
The eccentric Bullock household again need a new butler. Daughter Irene encounters bedraggled Godfrey Godfrey at the docks and, fancying him and noticing his obviously good manners, gets ... See full summary »
Jessie Royce Landis
In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past...Written by
Rod Crawford <firstname.lastname@example.org>
When Irene, portrayed by Carole Lombard, and Molly, portrayed by Jean Dixon, are sobbing in the kitchen, Godfrey, portrayed by William Powell, comes in, tipsy after his drinking bout with Tommy, portrayed by Alan Mowbray. The lines of the song he sings are "for tomorrow may bring sorrow/ So tonight let's all be gay./ Tell the story of the glory". These lines come from "Drink a Highball", a song of Harvard's Ivy League rival, University of Pennsylvania. The lines continue "of Pennsylvania." The writers likely cut it off to avoid the obvious contradiction of a Harvard man singing a Penn song, no matter how appropriate to his imbibing. See more »
When Irene first goes into Godfrey's room the door opens to the right, in the direction of the kitchen - revealing Molly standing in the background. In the next shot the door is open on the left, in the direction of the bedroom. See more »
The great depression of the 30s, in a way, created inequality in this country. On the one hand, great fortunes were made and many more were lost. In those days Hollywood's idea for escapism was the screwball comedy, with an emphasis in presenting how the privileged classes lived. This was in sharp contrast with what the majority of regular citizens were experiencing.
With that background, Gregory La Cava, a man who knew how to entertain an audience, took the direction of "My Man Godfrey". In the film we are given, on the one hand, what appears to be a city dump near to Sutton Place, one of the richest areas in Manhattan. We are shown a destitute man, Godfrey, who comes in contact with a couple of rich girls out on a scavenger hunt. Godfrey will change their lives forever.
"My Man Godfrey" gathered a distinguished cast. William Powell and Carole Lombard were at the pinnacle of their popularity. Both actors exuded charisma in any film they graced with their charming presence. They both left a mark of distinction in this comedy. Both are elegant and sophisticated, and they make us care about the characters they are playing.
The best thing about those 30s comedies were the marvelous ensemble casts assembled to support the stars. Thus, one is treated to delicious performances by Gail Patrick, Eugene Palette, Alice Brady, Micha Auer, Jean Dixon and Alan Mowbray.
This is a classic film that will live forever.
51 of 58 people found this review helpful.
Was this review helpful to you?
| Report this