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My Man Godfrey (1936)

Not Rated | | Comedy, Drama, Romance | 6 September 1936 (USA)
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0:52 | Trailer
A scatterbrained socialite hires a vagrant as a family butler - but there's more to Godfrey than meets the eye.

Director:

Gregory La Cava

Writers:

Morrie Ryskind (screen play), Eric Hatch (screen play) | 1 more credit »
Reviews
Nominated for 6 Oscars. Another 1 win. See more awards »

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Cast

Complete credited cast:
William Powell ... Godfrey
Carole Lombard ... Irene Bullock
Alice Brady ... Angelica Bullock
Gail Patrick ... Cornelia Bullock
Eugene Pallette ... Alexander Bullock
Jean Dixon ... Molly
Alan Mowbray ... Tommy Gray
Mischa Auer ... Carlo
Pat Flaherty ... Mike Flaherty
Robert Light ... Faithful George
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Storyline

In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian

Release Date:

6 September 1936 (USA) See more »

Also Known As:

My Man Godfrey See more »

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Box Office

Budget:

$656,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Mono (Western Noiseless Recording Electric)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

William Powell suggested his ex-wife Carole Lombard for the leading role with the explanation that his real life romance with Lombard had been much the same as it was for the characters of Godfrey and Irene. See more »

Goofs

When Irene first goes into Godfrey's room the door opens to the right, in the direction of the kitchen - revealing Molly standing in the background. In the next shot the door is open on the left, in the direction of the bedroom. See more »

Quotes

Cornelia Bullock: So Little Red Riding Hood didn't have enough feminine charm to trap a wolf her own age, so she falls in love with a butler and lives happily ever after on an ash pile. If you know what I mean.
Irene: I know what you mean, if you know what *I* mean.
Carlo: [entering the room] May I come in?
Cornelia Bullock: You're in, aren't you?
Carlo: Very interesting book. The Greeks of the Middle Ages.
Cornelia Bullock: Oh, Irene would like that. You love the middle ages, don't you, dear?
See more »

Crazy Credits

The opening credits features a darkened city skyline and the names of the cast and crew appear as the camera pans across lighted billboards and neon signs. See more »

Alternate Versions

Also available in a computer-colorized version. See more »


Soundtracks

Drink a Highball
(1901) (uncredited)
Words and Music by G.B. Brigham
Sung a bit a cappella by William Powell
See more »

Frequently Asked Questions

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User Reviews

 
We've really lost something nowadays
4 July 2001 | by zetesSee all my reviews

I don't want to be one of those "they don't make 'em like they used to" people, but I just can't help it when it comes to comedy. We've lost that talent completely, it seems. I can't think of any really great comedies of the past ten years. The golden age for film comedy was the mid 1930s to the mid 1940s (at least for the talkies; silent comedies were a totally different art form). This is also the period of the screwball comedy. My Man Godfrey was one of the first screwball comedies. Films such as Bringing Up Baby and The Lady Eve perfected the form, but My Man Godfrey is nearly as perfect. It isn't quite as funny as Bringing Up Baby nor is it as emotionally resonant as The Lady Eve, but it is funny, it has depression era social commentary (its main theme is identical to Preston Sturges' Sullivan's Travels, beating it by 6 years), and the script is marvelous. The finale is as good as any other comic finale, including the last scene of Some Like it Hot.

The actors are also in top form. William Powell is the straight man, and he plays it very well. All the rest are as nutty as ever. Carole Lombard probably gives her greatest performance here (I suppose I shouldn't say that since I've only seen her in one other film; I can only guess at this since it is one of the funniest performances of film history). Gail Patrick is perfectly devious as Lombard's conniving sister. Eugene Pallette is great as their father. Alice Brady, though, steals the show as their mother, a total fruit cake whose protoge, Carlo (Mischa Auer) does nothing but eat the household's food and pound the same couple of notes on their piano. And look for cameos by MGM regulars Franklin Pangborn and Grady Sutton. 10/10


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