A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
The eccentric Bullock household again need a new butler. Daughter Irene encounters bedraggled Godfrey Godfrey at the docks and, fancying him and noticing his obviously good manners, gets ... See full summary »
Jessie Royce Landis
A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
In the depths of the Depression, a party game brings dizzy socialite Irene Bullock to the city dump where she meets Godfrey, a derelict, and ends by hiring him as family butler. He finds the Bullocks to be the epitome of idle rich, and nutty as the proverbial fruitcake. Soon, the dramatizing Irene is in love with her 'protege'...who feels strongly that a romance between servant and employer is out of place, regardless of that servant's mysterious past...Written by
Rod Crawford <firstname.lastname@example.org>
Godfrey is placing roses in a vase while ignoring Irene. In one shot, he has already placed five stems in the vase. The camera cuts away to the rest of the cast but when Godfrey is seen again, there is only one rose in the vase. See more »
[Repeated line, whenever Carlo plays the piano and sings]
Ochi Chornya... Ochi Chornya... Ochi Chornya!
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The opening credits features a darkened city skyline and the names of the cast and crew appear as the camera pans across lighted billboards and neon signs. See more »
Also available in a computer-colorized version. See more »
The great depression of the 30s, in a way, created inequality in this country. On the one hand, great fortunes were made and many more were lost. In those days Hollywood's idea for escapism was the screwball comedy, with an emphasis in presenting how the privileged classes lived. This was in sharp contrast with what the majority of regular citizens were experiencing.
With that background, Gregory La Cava, a man who knew how to entertain an audience, took the direction of "My Man Godfrey". In the film we are given, on the one hand, what appears to be a city dump near to Sutton Place, one of the richest areas in Manhattan. We are shown a destitute man, Godfrey, who comes in contact with a couple of rich girls out on a scavenger hunt. Godfrey will change their lives forever.
"My Man Godfrey" gathered a distinguished cast. William Powell and Carole Lombard were at the pinnacle of their popularity. Both actors exuded charisma in any film they graced with their charming presence. They both left a mark of distinction in this comedy. Both are elegant and sophisticated, and they make us care about the characters they are playing.
The best thing about those 30s comedies were the marvelous ensemble casts assembled to support the stars. Thus, one is treated to delicious performances by Gail Patrick, Eugene Palette, Alice Brady, Micha Auer, Jean Dixon and Alan Mowbray.
This is a classic film that will live forever.
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