Mr. Deeds Goes to Town (1936)

A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.

Director:

Frank Capra

Writers:

Robert Riskin (screen play), Clarence Budington Kelland (story)

Stars:

Gary Cooper, Jean Arthur, George Bancroft

Won 1 Oscar. Another 4 wins & 7 nominations.

Cast

Complete credited cast:
Gary Cooper	...	Longfellow Deeds
Jean Arthur	...	Babe Bennett
George Bancroft	...	MacWade
Lionel Stander	...	Cornelius Cobb
Douglass Dumbrille	...	John Cedar
Raymond Walburn	...	Walter
H.B. Warner	...	Judge May
Ruth Donnelly	...	Mabel Dawson
Walter Catlett	...	Morrow
John Wray	...	Farmer

Storyline

Longfellow Deeds lives in a small town, leading a small town kind of life - including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen.

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Plot Keywords:

breadline | nickname | screwball comedy | shaking one's head no | longfellow deeds character | 

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Taglines:

Rocking America with laughter!

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Genres:

Comedy | Drama | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

12 April 1936 (USA)

Also Known As:

El secreto de vivir

Filming Locations:

Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA

Box Office

Budget:

$800,000 (estimated)

Company Credits

Production Co:

Columbia Pictures

Technical Specs

Runtime:

115 min

Sound Mix:

Mono (Western Electric Noiseless Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on February 1, 1937 with Gary Cooper, Jean Arthur and Lionel Stander reprising their film roles.

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Goofs

When Longfellow Deeds is preparing for his "engagement" lunch, he has a pipe in his hands or mouth throughout (sliding down the banister, discussing the utensils, flowers, etc.). But after he "practices" the seating with the butler, he gets up and leaves and the pipe has disappeared.

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Quotes

John Cedar: In these times with the country incapacitated with economic ailments and endangered with an undercurrent of social unrest, the promulgation of such a weird, fantastic and impractical plan, as contemplated by the defendant, is capable of fomenting a disturbance from which the country may not soon recover. It is our duty to stop it! Our government is fully aware of its difficulty. It can pull itself out of this economic rut, without the insistence of Mr. Deeds or any other crackpot! His attempted...

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Crazy Credits

Winthrop Oliver Warner (a studio musician) actually played the tuba for the film.

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Connections

Featured in Precious Images (1986)

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Soundtracks

Auld Lang Syne
(1788) (uncredited)
Traditional Scottish 17th century music
Played by a band at the train station, including Mr. Deeds on tuba

User Reviews

"The Sanest Man Whoever Walked Into This Courtroom"

Frank Capra knew that Gary Cooper was made for the part of Longfellow Deeds, he waited until Harry Cohn could get him from Paramount before making this film. It certainly is a once in a lifetime role and it got Gary Cooper his first nomination for Best Actor. He lost that year to Paul Muni for The Story of Louis Pasteur. But Capra won for Best Director that year.

Cooper, poet laureate of Mandrake Falls, inherits 20 million dollars from a rich uncle. He's not terribly impressed with that as he feels he's living just fine in Mandrake Falls. But he goes down to New York City to settle the estate and gets put up in grand style at his late uncle's mansion.

The executor of the estate, Douglass Dumbrille, is one smooth talking, white shoe bottom feeder. This is probably Dumbrille's best known classic villain, John Cedar. He wants Cooper's power of attorney real bad to cover up some dipping he's done. Cooper isn't giving it to him right away though.

In the meantime his inheritance has become news and local editor George Bancroft has dispatched sob sister reporter Jean Arthur to invade his inner sanctum. That's a common thread in the Capra populist trilogy, a woman sent to invade the inner sanctum of the hero and ends up falling for him. Jean Arthur did it again to James Stewart in Mr. Smith Goes to Washington and Cooper had it done to him again by Barbara Stanwyck in Meet John Doe.

After a whole lot of silly incidents which Arthur duly reports on, Cooper gets a real wake up call from one of what the current president then called a forgotten man. John Wray, a desperate farmer, tossed off his land and there were plenty of those in the twenties and thirties tells him off good and proper in a very powerful scene. Cooper, his own values questioned, decides to set up a fund to save the family farm as an institution.

Then he's called insane and Dumbrille takes as clients other heirs who want to contest the will. Which leads to Cooper's hearing in court to determine his sanity.

The values of Mr. Deeds are certainly eternal, honesty and decency don't and should never go out of style. Unfortunately the family farm is a thing of the past, there are less and less of them every year. It's agribusiness now so a faithful remake could never work today.

Yet the original still has a charm that cannot be denied, due to Frank Capra's vision and the way he got great performances out of the whole cast. One performance that shocked me was Raymond Walburn who usually plays avuncular, loquacious types. He plays the butler to Cooper's uncle and now to Cooper himself. To those who expect the usual Walburn we know and love, this is one different Walburn.

Even though Mr. Deeds Goes to Town is rooted firmly in the Thirties it should still be seen and studied today.