A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
Longfellow Deeds lives in a small town, leading a small town kind of life - including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen.Written by
Gary Cooper plays the title character here perfectly, even though the character lacks credibility in terms of how he is so astute about some things and yet so naïve about others. Jean Arthur also has an interesting character - one for whom we are not sure when and when not she is pretending. The romance between these two characters is simple formulaic and predictable, but the messages that the film has help to pull it through. It is a slight satire on the media, the justice system, and generally the way in which we function as individual human beings. The film also ends on a high note, with many laughs towards the end of the courtroom sequences. It is a bit fanciful, and arguably Stander is added in just for laughs, plus there are a few other minor imperfections. However 'minor' is the key word here: it is overall enjoyable and well made stuff either way.
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