Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.Written by
Colin Tinto <email@example.com>
On the recommendation of Eddie Powell, chief assistant to noted composer and musical director Alfred Newman, Charles Chaplin hired David Raksin to help him write and record the score. Only twenty-three years old at the time, Raksin was already a seasoned composer and arranger. After reviewing what Chaplin had composed, Raksin offered the opinion that it wasn't good enough for the film, nor was it modern enough or of sufficient "symphonic dimension." He was fired after one week, but rehired at Newman's urging and allowed to state his case. The rift was quickly patched and from that point, the two worked together well, having great fun coordinating musical ideas directly into the action running on a Moviola, instead of using timing sheets, the usual method of scoring. Raksin said that although Chaplin was not a professional musician, his command of musical styles, instrumental qualities, and development of melody and theme were impressive. See more »
(at around 1h 17 mins) During the Singing Waiters musical number, the singers' lips do not match the soundtrack. See more »
The laserdisc edition contains an extra scene that the film was never released with. An extra verse of the Tramp's gibberish song "Titina" appears (33 seconds in length) at Chapter 13: frames 36235 - 37009 which corrects a continuity jump. This was obviously a last minute removal on Chaplin's part, before the initial release, but was never removed from his 35mm lavender preservation masters which were used to master the laserdisc. The last verse of the Tramp's gibberish song is also shown as a deleted scene on the Chaplin Collection version of Modern Times and with lyrics to it as a karaoke piece. See more »
This is absolutely the finest film Charlie Chaplin ever made-which, considering the overall quality of his work, says a great deal for the quality of the film. Genius is a much over-used word, but in Chaplin's case, it's use is apt. This is one of the classics of cinema and one of the greatest films ever made! The scenes in the factory are hilarious. You have got to see this film! Most joyously, totally and highly RECOMMENDED!!!!!
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