A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.


Lars von Trier


Lars von Trier
2,552 ( 44)
21 wins & 33 nominations. See more awards »





Cast overview, first billed only:
Nicole Kidman ... Grace Margaret Mulligan
Harriet Andersson ... Gloria
Lauren Bacall ... Ma Ginger
Jean-Marc Barr ... The Man with the Big Hat
Paul Bettany ... Tom Edison
Blair Brown ... Mrs. Henson
James Caan ... The Big Man
Patricia Clarkson ... Vera
Jeremy Davies ... Bill Henson
Ben Gazzara ... Jack McKay
Philip Baker Hall ... Tom Edison Sr.
Thom Hoffman ... Gangster
Siobhan Fallon Hogan ... Martha
John Hurt ... Narrator (voice)
Zeljko Ivanek ... Ben


Late one night, a beautiful and well-dressed young woman, Grace (Nicole Kidman), arrives in the mountainous old mining town of Dogville as a fugitive; following the sound of gunshots in the distance which have been heard by Tom (Paul Bettany), the self-appointed moral spokesman for the town. Persuaded by Tom, the town agree to hide Grace, and in return she freely helps the locals. However, when the Sheriff from a neighbouring town posts a Missing notice, advertising a reward for revealing her whereabouts, the townsfolk require a better deal from Grace, in return for their silence; and when the Sheriff returns some weeks later with a Wanted poster, even though the citizens know her to be innocent of the false charges against her, the town's sense of goodness takes a sinister turn and the price of Grace's freedom becomes a workload and treatment akin to that of a slave. But Grace has a deadly secret that the townsfolk will eventually encounter. Written by Neil Hillman.

Plot Summary | Plot Synopsis


A quiet little town not far from here.


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence and sexual content | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


This minimalist staging approach is common in the theatre, but has rarely been tackled on film, with two notable exceptions being the Western musical Red Garters (1954) and Louis Malle's final movie, Vanya on 42nd Street (1994). See more »


Many continuity issues (hats on/off in alternating shots etc) are entirely deliberate. There are a large number of quick cuts throughout the film which serve to disorientate and confuse the viewer. The continuity in these cases is never precise and is as much a part of the final film as the script. See more »


[first lines]
Narrator: This is the sad tale of the township of Dogville. Dogville was in the Rocky Mountains in the US of A, up here where the road came to its definitive end, near the entrance to the old abandoned silver mine. The residents of Dogville were good honest folks, and they liked their township. And while a sentimental soul from the East Coast had once dubbed their main street Elm Street, though no elm had ever cast its shadow in Dogville, they saw no reason to change anything. Most of the ...
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Crazy Credits

An official Danish, Swedish, British, French, German and Dutch co-production in accordance with the 1992 European Convention on Cinematographic Co-Production. See more »

Alternate Versions

To fit the needs of some local distributors, in Italy among others, assistant director Anders Refn cut a version of Dogville which is about 45 minutes shorter than the original. The version was accepted and approved by director Lars von Trier. See more »


References Last Summer (1969) See more »


Young Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited / EMI Music Publishing Limited / RZO Music Limited
[Played over end credits]
See more »

User Reviews

A tale of morality
17 August 2005 | by diand_See all my reviews

Is this a tale about the loss of humanity as an individual suffers from the power of group behavior? Is it a about an idealist / philosopher unable to handle events and see the tragedy around him? Is this a scathing attack on the social conditions in the US? Or is it about the New World reversing power roles with the Old World? Is it a biblical allegory? Or an autobiographical description of Von Trier's life?

Dogville, made as a staged play and inspired by the song Pirate Jenny by Bertolt Brecht, is all, making not the structure of the tale set in a Colorado mining town complex, but its interpretation. Like in Breaking the Waves, Von Trier uses the literature reference, dividing the movie in chapters to tell his tale of an individual becoming victim of group behavior, this time combined with the idealist / intellectual standing by and having no solutions on offer. It all watches like a Greek tragedy, the Greek names of the children of Vera and Chuck only confirming this.

The biblical parts are thrown in with the dog Moses, as guardian of the Ten Commandments which are severely transgressed by the citizens of Dogville. The dog can only be seen at the end and is spared. We have the name of the main character Grace and her treatment comparable to that of Jesus; the blindness and the window; the seven figurines broken by Vera stand both for her seven children and the seven sins. Also the Old and New Testament (father and daughter in the car having different interpretations of morality) are touched upon, and Tom representing the betrayal of Judas.

The concept of power plays an important part throughout the movie. The line of power starts with Tom, convincing the citizens of Dogville to give Grace a place to hide. As the philosopher, writer and spiritual leader of Dogville he is unable to cope with the basic problem of keeping mankind under control, he is shown as a theoretic, not someone who has practical solutions and fails as an authority (the practical engineer only adds to the misery here as he only makes instruments of oppression). Later the power is taken on by the group to commit the atrocities shown. Dogville is therefore also a warning about letting ignorant and simple minded people take on authority and decisions as there can be horrific consequences. At the end Grace's father comes in and Grace assumes the power from him. All misuse and are unable to handle the concept of power to proper use, the power of Grace and her father is mafia power after all (there is a hint the movie uses that the power of the US has grown out of criminal power, a common historical misunderstanding). The US State is unable to prevent anything of it happening here, it can only be heard in the distance or seen shortly when the police arrives (a prison and police force is the only thing the state offers in the movie). Dogville starts with a speech to be heard on the radio made by the President of the US; the radio is turned off before he starts talking. The end credits with the pictures give way to interpretations of the lack of a proper welfare state in the US, at least at the time of the Depression.

Another moral issue arises in the most important dialog in the movie between Grace and her father. At first Grace is incapable to condemn the villagers. Her father calls that arrogance, because she should judge others by the same moral standards as she judges herself. She changes mind after thinking about this concept of morality, judgment and punishment. The whole view on mankind in Dogville is extremely dark: As you make yourself dependent of other people, they will always misuse that opportunity and take advantage of your weaknesses. Later Grace forgets all notions of forgiveness.

Another interesting addition and layer comes when Tom suddenly takes on the role of Von Trier himself (the point where he talks about the trilogy). So in reality Von Trier sees himself in the role of Tom. And he makes a deliberate parody of himself, because the harsh and demanding way he treats actresses is in a way comparable to the treatment of Grace.

Technically the movie is well shot with the camera-work of Anthony Dod Mantle. When Grace is raped for the first time, the camera retracts and it diminishes on purpose the impact of that scene. By showing inhuman acts without barriers like walls and doors they show how ignorant people usually are about them. But the best shot technically is from Grace under a blanket in the truck, it has surreal qualities.

Two side notes: The beautiful music is by Vivaldi ('Cum dederit dilectus suis somnum' (IV) from 'Nisi dominus' RV 608). On the mine shaft we can read Dictum ad Factum, meaning Said and Done.

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Official Sites:

Official site [Spain]



Release Date:

23 April 2004 (USA) See more »

Also Known As:

The Film 'Dogville' as Told in Nine Chapters and a Prologue See more »


Box Office


$10,000,000 (estimated)

Opening Weekend USA:

$88,855, 28 March 2004

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
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