In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers,... See full summary »
Directors:
Henrik Galeen,
Paul Wegener
Stars:
Paul Wegener,
Henrik Galeen,
Lyda Salmonova
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
Directors:
Carl Boese,
Paul Wegener
Stars:
Paul Wegener,
Albert Steinrück,
Ernst Deutsch
Alfred Boulard, a good-natured electrician, gives his blood to save Mona Thalia, a great theater actress. Mona Thalia survives and Boulard becomes the man of the hour. Grateful to him, Mona... See full summary »
Director:
Julien Duvivier
Stars:
Maurice Chevalier,
Elvire Popesco,
André Alerme
The final days of Jesus from the time he enters the city of Jerusalem. Viewed as a threat, it is decided that he must be captured, tried, and executed as a criminal, a plan aided and abetted by disciple Judas Iscariot.
A nun suffering from TB is desperately trying to save an alcoholic tramp and to bring him back to his wife and kids.He has a friend who died last year and became the coachman of the "Ghost Wagon" .
Director:
Julien Duvivier
Stars:
Pierre Fresnay,
Marie Bell,
Micheline Francey
Christine, newly widowed and consumed by the memory of a ball she attended age 16, decides to track down the men she danced with that night and discover their fates.
A young woman living with her family on the frontier in Quebec, Canada, endures the hardships of isolation and climate, and chooses between three suitors: a trapper, a farmer, and an ... See full summary »
The synagogue seen in the initial scenes (and others) is clearly modeled on the Alt-Neu Synagogue in Prague, supposedly the place where the Golem would have been stored. See more »
I'm sincerely sorry not to join the chorus of praises of the other users.I've seen most of Duvivier's talkies and I have always been his fan.But "le golem" is definitely not my cup of tea.Eclecticism was Duvivier's trademark (his precedent movie was "Golgotha" an underrated version of the Passion.)But his metier was film noir ;check his filmography: all his best works belong to the genre.
The main problem with this Golem -which may or may not have inspired Mary Shelley- is that the director does not choose between comedy and drama.Harry Baur's talent is unquestionable,but you'd better see him in "David golder" where he plays a Jew;In the Golem,it seems that the Jewish culture eludes Duvivier (it eludes me too of course),and it is not his use of (beautiful) hymns which will make me change my mind.The ten-minute appearance of Golem is not even impressive ,and when he returns to ashes,well...
Outside "David Golder" ,people interested in Duvivier's work should see "Poil de Carotte" "La Belle Equipe" "Pepe le Moko" "Carnet de Bal" and "La Fin du Jour" all French classics of the thirties.
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I'm sincerely sorry not to join the chorus of praises of the other users.I've seen most of Duvivier's talkies and I have always been his fan.But "le golem" is definitely not my cup of tea.Eclecticism was Duvivier's trademark (his precedent movie was "Golgotha" an underrated version of the Passion.)But his metier was film noir ;check his filmography: all his best works belong to the genre.
The main problem with this Golem -which may or may not have inspired Mary Shelley- is that the director does not choose between comedy and drama.Harry Baur's talent is unquestionable,but you'd better see him in "David golder" where he plays a Jew;In the Golem,it seems that the Jewish culture eludes Duvivier (it eludes me too of course),and it is not his use of (beautiful) hymns which will make me change my mind.The ten-minute appearance of Golem is not even impressive ,and when he returns to ashes,well...
Outside "David Golder" ,people interested in Duvivier's work should see "Poil de Carotte" "La Belle Equipe" "Pepe le Moko" "Carnet de Bal" and "La Fin du Jour" all French classics of the thirties.