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In revolution-torn China, American mercenary O'Hara is entrusted with a perilous mission, to get arms for the helpless authorities in a province ravaged by warlord General Yang. On the train to Shanghai, he meets Judy Perrie, whose father is in league with Yang. Will Judy regret agreeing to lure O'Hara to his doom, and if so, can she make it up to him? The balance of power seesaws to a perilous conclusion.Written by
Rod Crawford <email@example.com>
One of over 700 Paramount productions, filmed between 1929-49, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. An immediately popular local favorite, its earliest documented telecast took place in St. Louis Saturday 28 March 1959 on KMOX (Channel 4), followed by Milwaukee 1 April 1959 on WITI (Channel 6), by Asheville 16 April 1959 on WLOS (Channel 13), by New York City 1 May 1959 on WCBS (Channel 2), by Omaha 28 May 1959 on KETV (Channel 7), by Pittsburgh 10 July 1959 on KDKA (Channel 2), by Chicago 18 July 1959 on WBBM (Channel 2), by Seattle 10 September 1959 on KIRO (Channel 7), by Los Angeles 13 September 1959 on KNXT (Channel 2), by Philadelphia 14 September 1959 on WCAU (Channel 10), by Minneapolis 21 September on WTCN (Channel 11), by Grand Rapids 10 October 1959 on WOOD (Channel 8), by San Francisco 6 December 1959 on KPIX (Channel 5), and by Phoenix 19 December 1959 on KVAR (Channel 12). It was released on DVD 21 May 2005 as one of 5 titles in Universal's Gary Cooper Franchise Collection, and again 28 August 2014 as part of the Universal Vault Series. See more »
While arguing with Peter, Judy slams a book down on the desk. A couple of other books on the corner of the desk disappear in a later scene. See more »
I like people too much to shoot. But it's a dark year and a hard night.
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The opening credits all appear on the sails of boats. See more »
The General Died at Dawn, the title itself is enough of a giveaway as to what happens. But the circumstances leading up to the death of Chinese Warlord Akim Tamiroff is quite a tale.
The setting for this film is Kuomintang China where the government of Chiang Kai-Shek doesn't have its writ run very far. Most of China in the Twenties is controlled by various provincial warlords. In fact a case could be made that the Chinese Communists under Mao Tse-tung was viewed as just another warlord. But that's a whole different story.
American adventurer Gary Cooper has a money belt with a whole lot of cash in it entrusted to him by the opposition faction to Akim Tamiroff. He's supposed to make contact with William Frawley in Shanghai who when he's not drinking the hotel bar dry, runs guns.
But Madeleine Carroll and her father Porter Hall who are working for Tamiroff help Tamiroff part Cooper from his money. In the case of Coop, he's real guilty of thinking with his gonads. Then Porter Hall steals the money for himself and the film gets real interesting.
There's one big flaw in the film, occurring when Madeleine Carroll who starts falling for Cooper, refers to him as the "O'Hara Boy." O'Hara is Cooper's character name. Coop was 35 when this film was made and referring to him as 'boy' was ludicrous. But then again a man of 35 should have been on better guard. Film might have worked better if someone younger like Robert Taylor or Tyrone Power played the part of O'Hara. Or Clifford Odets's script should have given Carroll a more elaborate ruse to play on Cooper.
Two major oriental roles were given to occidental players. Casting like Akim Tamiroff as the warlord Yang and Dudley Digges as Mr. Wu who employs Cooper would never happen today. But both do well and come to think of it Tamiroff does have an oriental strain in his ancestry.
One bit of casting really hits home. By all accounts William Frawley was hardly the lovable tightwad Fred Mertz in real life. He was a misanthropic alcoholic in the tradition of W.C.Fields and a mean drunk when he was loaded which was often back then. His role as Brighton, the misanthropic, mean, and thoroughly racist gunrunner was way closer to the real Bill Frawley.
Gary Cooper in The General Died at Dawn was playing a role that Humphrey Bogart would probably have done in the forties. It was always joked that Cooper's dialog consisted of 'yup' and 'nope.' But the way he gets himself, Carroll and Digges out of a real predicament in the end called for quite a gift of gab.
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