Dodsworth (1936) - News Poster



Oscar history: Best Picture winners chosen by preferential ballot (1934-1945) include classic films

Oscar history: Best Picture winners chosen by preferential ballot (1934-1945) include classic films
In 2009 — when the Academy Awards went to 10 Best Picture nominees for the first time since 1943 — the preferential system of voting, which had been used from 1934 to 1945, was reintroduced. The academy did so as it believed this “best allows the collective judgment of all voting members to be most accurately represented.”

We have detailed how the preferential voting system works at the Oscars in the modern era. So, let’s take a look back at those dozen years early in the history of the academy when it first used this complicated counting to determine the Best Picture winner rather than a simple popular vote. (At the bottom of this post, be sure to vote for the film that you think will take the top Oscar this year.)

See Best Picture Gallery: Every winner of the top Academy Award


This seventh ceremony marked the first time that the Oscars eligibility period was the calendar year.
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All of the Films Joining FilmStruck’s Criterion Channel This December

Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This December will feature an exciting assortment of films, as noted below.

To sign up for a free two-week trial here.

Friday, December 1

It’s a Mad, Mad, Mad, Mad World*: Criterion Collection Edition #692

Stanley Kramer followed his harrowing Oscar winner Judgment at Nuremberg with the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners about a group of strangers fighting tooth and nail over buried treasure. Performed by a nonpareil cast, including Milton Berle, Sid Caesar, Ethel Merman, Mickey Rooney, Spencer Tracy, Jonathan Winters, and a boatload of other playing-to-the-rafters comedy legends, Kramer’s wildly uncharacteristic film is an exhilarating epic of tomfoolery. Supplemental Features: an audio commentary featuring It’s a Mad,
See full article at CriterionCast »

More 4th of July Escapism: Small-Town Iowa and Declaration of Independence Musicals

More 4th of July Escapism: Small-Town Iowa and Declaration of Independence Musicals
(See previous post: Fourth of July Movies: Escapism During a Weird Year.) On the evening of the Fourth of July, besides fireworks, fire hazards, and Yankee Doodle Dandy, if you're watching TCM in the U.S. and Canada, there's the following: Peter H. Hunt's 1776 (1972), a largely forgotten film musical based on the Broadway hit with music by Sherman Edwards. William Daniels, who was recently on TCM talking about 1776 and a couple of other movies (A Thousand Clowns, Dodsworth), has one of the key roles as John Adams. Howard Da Silva, blacklisted for over a decade after being named a communist during the House Un-American Committee hearings of the early 1950s (Robert Taylor was one who mentioned him in his testimony), plays Benjamin Franklin. Ken Howard is Thomas Jefferson, a role he would reprise in John Huston's 1976 short Independence. (In the short, Pat Hingle was cast as John Adams; Eli Wallach was Benjamin Franklin.) Warner
See full article at Alt Film Guide »

Kansas City Confidential | Blu-ray Review

After falling into the public domain, Phil Karlson’s 1952 film noir Kansas City Confidential became unfairly lumped into B-grade bracket, a disservice considering the title’s odd narrative and eventual influence on contemporary filmmakers. Karlson, who would eventually turn to mainstream efforts starring the likes of Dean Martin and Elvis Presley in the 1960s and 1970s, contributed several enjoyable minor noir efforts in the 1950s. These would include 1952’s Scandal Sheet with Donna Reed and Broderick Crawford, Kim Novak casino heist effort 5 Against the House, and that same year’s Tight Spot with a peculiar role for Ginger Rogers. But none have enjoyed the staying power of this particular heist drama, now restored with its most accomplished transfer yet.

Kansas City delivery man Joe Rolfe (John Payne) is at the wrong place at the wrong time when he’s nabbed by the cops as the driver of a heist involving
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Wright and Goldwyn Have an Ugly Parting of the Ways; Brando (More or Less) Comes to the Rescue

Teresa Wright-Samuel Goldwyn association comes to a nasty end (See preceding post: "Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock Heroine in His Favorite Film.") Whether or not because she was aware that Enchantment wasn't going to be the hit she needed – or perhaps some other disagreement with Samuel Goldwyn or personal issue with husband Niven BuschTeresa Wright, claiming illness, refused to go to New York City to promote the film. (Top image: Teresa Wright in a publicity shot for The Men.) Goldwyn had previously announced that Wright, whose contract still had another four and half years to run, was to star in a film version of J.D. Salinger's 1948 short story "Uncle Wiggily in Connecticut." Instead, he unceremoniously – and quite publicly – fired her.[1] The Goldwyn organization issued a statement, explaining that besides refusing the assignment to travel to New York to help generate pre-opening publicity for Enchantment,
See full article at Alt Film Guide »

Non-American Born Best Director Oscar Winners

By Anjelica Oswald

Managing Editor

With the DGA Award in hand, Alejandro Gonzalez Inarritu has become a frontrunner in the best director Oscar race for Birdman.

Only seven winners of the DGA Award have not won the best director Oscar in the 66 years that the Directors Guild of America has given the award. The most recent case was two years ago, when Ben Affleck wasn’t even nominated for the best director Oscar for Argo, which won best picture.

No American has won for best director since 2011 and if Inarritu, who is from Mexico, takes the Oscar this year, the trend will continue. Inarritu could become the second Latin American director to win for best director, following Alfonso Cuaron’s win last year.

In the 86 years since the Academy Awards’ inception, 89 Oscars have been given for best director. Twenty-six awards (29 percent) went to non-American born directors.

At the first annual
See full article at Scott Feinberg »

Laura Linney Reveals Her 'Love Actually' Regret and a Gender-Bending Dream Role

Laura Linney is taking a well-deserved break.

The Emmy-winning star (she just earned her fourth for her role in "The Big C" last month) has had a varied, decades-long career, with award-worthy roles in theater, film, and television. Her latest movie, "The Fifth Estate," which chronicles the rise of divisive free-speech activist Julian Assange and his website, WikiLeaks, opens this Friday. When we spoke to Linney recently, we learned that she's been enjoying some deliberate down time.

So what does Laura Linney do when she's doing nothing? Like the rest of us, she binge-watches "Breaking Bad." And when she's not immersed in Walter White's crystal meth-cooking drama, she's talking to us about taking on the WikiLeaks story, changing a pivotal moment in "Love Actually," and the gender-bending role she'd love to play.

Bill Condon said he felt an initial pang of "terror" when he took on "The Fifth Estate." What
See full article at Moviefone »

TCM Offers Ultimate Studio Tour With 2013 Edition Of 31 Days Of Oscar; The Academy Awards February 24th

As the Academy celebrates 85 years of great films at the Oscars on February 24th, Turner Classic Movies (TCM) is set to take movie fans on the ultimate studio tour with the 2013 edition of 31 Days Of Oscar®. Under the theme Oscar by Studio, the network will present a slate of more than 350 movies grouped according to the studios that produced or released them. And as always, every film presented during 31 Days Of Oscar is an Academy Award® nominee or winner, making this annual event one of the most anticipated on any movie lover’s calendar.

As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.

Hollywood was built upon the studio system, which saw nearly ever aspect
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William Wyler/Oscar Actors: Walter Huston, Bette Davis

Walter Huston, Ruth Chatterton, Dodsworth William Wyler: Record-Setting Oscar Director for Actors Pt.1 Ah, William Wyler also happens to be the director with the most Academy Award nominations: twelve in all. For the record, those are: Dodsworth, 1936; Wuthering Heights, 1939; The Letter, 1940; The Little Foxes, 1941; Mrs. Miniver, 1942; The Best Years of Our Lives, 1946; The Heiress, 1949; Detective Story, 1951; Roman Holiday, 1953; Friendly Persuasion, 1956; Ben-Hur, 1959; and The Collector, 1965. He won the Best Director Oscar for three films — none of which is among his best: Mrs. Miniver, The Best Years of Our Lives, and Ben-Hur. Considering the changes that have taken place in the American film industry following the demise of the studio system, barring a miracle Wyler will remain the Oscars' top director for actors for as long as there are Oscars. (See full list below.) William Wyler died of a heart attack in July 1981 in Los Angeles. William Wyler-directed movies: thirty-six acting nominations; fourteen wins.
See full article at Alt Film Guide »

William Wyler: Oscar Actors Director

William Wyler was one of the greatest film directors Hollywood — or any other film industry — has ever produced. Today, Wyler lacks the following of Alfred Hitchcock, John Ford, Frank Capra, or even Howard Hawks most likely because, unlike Hitchcock, Ford, or Capra (and to a lesser extent Hawks), Wyler never focused on a particular genre, while his films were hardly as male-centered as those of the aforementioned four directors. Dumb but true: Films about women and their issues tend to be perceived as inferior to those about men — especially tough men — and their issues. The German-born Wyler (1902, in Alsace, now part of France) immigrated to the United States in his late teens. Following a stint at Universal's New York office, he moved to Hollywood and by the mid-'20s was directing Western shorts. His ascent was quick; by 1929 Wyler was directing Universal's top female star, Laura La Plante in the
See full article at Alt Film Guide »

Steinfeld Wouldn’T Be First To Be Nominated–Or Win–For Film Debut

It now appears to be more likely than not that Hailee Steinfeld, the 14-year-old actress who makes her big screen debut in the Coen brothers’ critically and commercially successful Western “True Grit,” will score an Oscar nomination — and perhaps even a win — in one category or another for her film-stealing performance. Consequently, some of you may be wondering if any other newcomer has ever earned that kind of recongition over the 82 year history of the Academy Awards. The answer is yes — in fact, it has happened precisely 47 times, 16 in lead and 31 in supporting.

Some of those women were famous before they received their nods (i.e. Jennifer Hudson and Barbra Streisand); most were not (i.e. Mary Badham and Gabby Sidibe). Some never made another movie after they received their nods (i.e. Jocelyne Lagarde); some made a few and then dropped off the face of the earth (i.e.
See full article at Scott Feinberg »

Interviews: Juliette Lewis, Director Tony Goldwyn Create ‘Conviction’

Chicago – “Conviction” tells the true story of siblings Betty Anne (Hilary Swank) and Kenny (Sam Rockwell) Walters, and the quest of Betty Anne to free her brother from a prison sentence for murder. Oscar nominee Juliette Lewis lends her talent as key prosecution witness Roseanna Perry, and the film is directed by Tony Goldwyn.

Featured star Lewis and Director Goldwyn were in Chicago recently to promote the film. sat down for interviews with both of them, talking about the general themes of Conviction and their expansive careers.

Juliette Lewis, Roseanna Perry in “Conviction

Juliette Lewis is a familiar presence in the Hollywood canon of the last twenty years. Beginning her career as a teenager in the 1980s, she had a transcendent breakthrough as Danielle Bowden in Martin Scorsese’s remake of “Cape Fear” (1991). From that point to the end of the decade, Lewis worked with directors as diverse
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Stone Cold Linker

Silver Screen

The Big Picture still waiting on the (nonexistent) trailer for Avatar.

Do You Have a Flag? remembers The Virgin Suicides. Mmm, pretty pictures.

Big Screen Little Screen Melissa Leo going back to series television.

Mnpp James Franco (I nearly spit out my coffee. Lol)

Getty Should Julia Roberts get a restraining order?

Film Addict remembers Ruth Chatterton in Dodsworth. Dodsworth is one of my all time favorites. For some reason I have yet to surmount my block about writing it up.

/Film is Skarsgård picking up Thor's hammer? And do we need a Thor movie? Remember how that little girl in Adventures in Babysitting was obsessed with the Norse god and how totally random and weird that was?

Oscar and the City reveals his "most anticipated performances" list.

The Inciting Incident How cool must it be to be a Pixar intern? I imagine very.

Disney Blog Seems The
See full article at FilmExperience »

1000 Greatest Films?

The movie lists that get the most attention these days are sadly fan-pandering lists from major movie publications (EW, Empire, etcetera) that cater to the last 25 years or are overly worried about mainstream relevance and DVD sales (AFI)... forgetting that the most noble purpose of 'all time lists' is not to pat people on the back for what they love but to inspire them to dig deeper. "Great" lists should be filling up our rental queues. Best book lists are not best seller charts after all but encouragements to read. Best music lists are often about new discoveries, too. What haven't you heard? So I'm totally excited to study They Shoot Pictures, Don't They? reworked "Top 1000 Films of All Time" list.

I am powerless against a good list. Here's two samples from their top 1000. First, the top 20 and I've picked two that I really insist that you see right now
See full article at FilmExperience »

See also

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