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Paul Lavond was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to prison. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge.Written by
Ken Yousten <kyousten@bev.net>
This film had its first television showing in Los Angeles Friday 14 December 1956 on KTTV (Channel 2), followed by Seattle Sunday 16 December 1956 on KING (Channel 5); it first aired in Hartford CT 16 January 1957 on WHCT (Channel 18), in New York City 28 January 1957 on WCBS (Channel 2), in Minneapolis 16 March 1957 on KMGM (Channel 9), in Chicago 23 March 1957 on WBBM (Channel 2), in Syracuse 1 April 1957 on WHEN (Channel 8), in Philadelphia 2 April 1957 on WFIL (Channel 6) , in Lubbock TX 1 May 1957 on KCBD (Channel 11), in San Francisco 13 January 1958 on KGO (Channel 7), and in Altoona PA 11 March 1958 on WFBG (Channel 10). See more »
Goofs
The shrunken animals do not cast shadows when they move. This is obvious with the dogs on the lab table and the horse galloping on Radin's desk. See more »
Quotes
Lavond (as Madame Mandelip):
[with emotion]
Then he said
[clearing his throat]
Lavond (as Madame Mandelip):
that was the most important thing of all. He told me to tell you to forget him, to find happiness and keep it, to marry and give your children all the love you might have given him if he hadn't been taken from you.
See more »
Alternate Versions
Also available in a computer-colorized version. See more »
This could as easily have been given the name of Browning's previous movie: "Freaks."
Lionel Barrymore demonstrates more range than we're accustomed to, playing an escaped convict and, much of the time, a sweet old lady.
Ottiano is scary as the widow of his jail buddy, who has the patent on making live people into dolls.
The print shown this week on Turner Classics is beautiful but seems to have gaps in its continuity, as if all that survives may be something cut up for commercials in the days when local stations showed old movies.
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This could as easily have been given the name of Browning's previous movie: "Freaks."
Lionel Barrymore demonstrates more range than we're accustomed to, playing an escaped convict and, much of the time, a sweet old lady.
Ottiano is scary as the widow of his jail buddy, who has the patent on making live people into dolls.
The print shown this week on Turner Classics is beautiful but seems to have gaps in its continuity, as if all that survives may be something cut up for commercials in the days when local stations showed old movies.