Madeleine steals a string of pearls in Paris and uses US engineer Tom, who is driving on his vacation to Spain, to get the pearls out of France, but getting the pearls, back from him proves to be difficult without falling in love.Written by
Stephan Eichenberg <firstname.lastname@example.org>
John Gilbert was initially cast as Carlos Margoli. Promised to be his comeback role after a string of flops, he filmed a few Technicolor costume tests with Marlene Dietrich (whom he was dating at the time). He had a heart attack in his dressing room only days before shooting started and was immediately replaced by John Halliday. A few days after his abrupt replacement, Gilbert died of alcohol-induced heart failure. Peggy Stallings' "Flesh and Fantasy" states that Gilbert and Dietrich were living together when she tried to use her influence to have him cast opposite her in the film. She withdrew her support when the actor renewed his friendship with former fiancée Greta Garbo. After this, Dietrich renewed her relationship with Gary Cooper, who got the part. Gilbert's fatal heart attack occurred on the same day Cooper's casting was officially announced by Paramount. See more »
When Tom catches up to Madeline at the border after she splashes mud over him while he's stopped to take a picture of himself, his car has far less mud on it than in previous shots. See more »
You made a mistake, Aunt Olga. You should have told that doctor that if he really loved you he would have helped you over that wall. I'm sure it would have been a great shock to him when he heard about it. He probably would have called you every name under the sun. He probably would have taken you over his knee and given you the spanking of your life!
[turns to Madeleine]
Does it still hurt darling?
Madeleine de Beaupre:
Just a little. Don't worry.
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if you liked Lubitsch's Trouble in Paradise, this is a lesser but still quite enjoyable version. Directed by Borzage and produced by Lubitsch, it is difficult to find but features a marvelous Dietrich and adorable Coop. The opening scenes quickly show you why Paris by Paramount was often considered better than Paris as itself. Charming lines like 'I'm going to put my hand in your pocket' were clever ways to overcome the Hays era constraints. The elegance of the era is well presented here combined with the straight up-ness of the 'good American' culture. There are also poignant references to the oncoming WWII through lines like 'Don't underestimate America, it's a big country', quite prescient since this was still 1936. If you like American Romantic Comedy of the 30's, you will enjoy this film...a shame they don't make 'em like this anymore.
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