Just because community is a beautiful thing never means it's an easy thing. Family relations, most everyone knows, can prove especially dicey. Even in comedies. Especially in comedies. In the early 1930s, just as the movies were learning to talk, French theater playwright and impresario Marcel Pagnol honed in on this truth as he brought his now-revered Marseille Trilogy to motion picture screens. Released between 1931 and 1936, the three films, Marius, Fanny and César, boast a cozy continuity in characters and the terrific actors playing them, not to mention their provincial seaside location. Originating on stage in Paris, Pagnol's initial entry, Marius, proved to be a popular hit as a film as well as a play. It immediately gave way to a followup one...
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