A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police description. His name is Amedee Lange, and he murdered Batala in Paris. ...
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A man and a woman arrive in a cafe-hotel near the Belgian frontier. The customers recognize the man from the police description. His name is Amedee Lange, and he murdered Batala in Paris. His ladyfriend Valentine tells the whole story: Lange was an employee in Batala's little printing works. Batala was a real bastard, swindling everyone, seducing female workers of Valentine's laundry - One day, he fled to avoid facing his creditors, and the workers set up a cooperative to go on working. But the plot is less important that the description of the atmosphere just before the Popular Front.Written by
According to film scholar Alexander Sesonske, the Catalan painter Jean Castanier (also spelled "Castanier") approached his friend Jacques Becker with the idea of a film about "a likable little world of print-shop workers and laundresses who form a cooperative" to be called Sur la Cour, which Becker would direct. Becker was much taken by the idea, but the producer who took on the project didn't trust him, and decided to offer it to the more experienced director Jean Renoir, for whom Becker had already worked as assistant director on several pictures. Becker was reportedly so furious at Renoir for directing "his" film that he refused to work as assistant director on the production, though he would later work again as Renoir's assistant on several films (e.g. La Grande Illusion (1937)), before becoming a full-time director himself. See more »
This very simple movie is not Jean Renoir's best, but it shows some very interesting social issues, typical of the 1930's french movement of cooperative togetherness. In this film, a very bad man (Jules Berry) steals the workers of his journal, seduce innocent girls and don't pay his debts. To run away from the police, he pretends to be dead. Then, the workers of the journal forms a cooperative and had big success, until the day the bad man come back. Renoir's direction is just good, but the actors seems to improvise.
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