Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
John Shadwell, a promising politician, is married to Laura but is in love with Vergie Winters, a milliner from his home town. As Shadwell's political career blooms, gossip and rumors begin ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Biff Jones is a driver/salesman for the Good Humor ice-cream company. He hopes to marry his girl Margie, who works as a secretary for Stuart Nagel, an insurance investigator. Margie won't ... See full summary »
Growing up in a poor working-class family, Laura decides not to marry the boy-next-door and instead accepts wealthy, older Will Brockton's invitation to move in with him. After falling in ... See full summary »
Lorry and Minnie are ex-hookers who leave prison, determined to find the good life with rich men. Along the way Lorry meets and falls in love with cotton barge owner Dan. She must choose ... See full summary »
Gregory La Cava
In Rye, New York, wealthy Walter Craig loves his wife, Harriet Craig. Conversely, Harriet, unaware to Walter, married him solely for independence, she believing that love in the romantic sense only complicating marriage. She focuses all of her energies on ensuring that the house in which they live is maintained to her standards, where everything and everyone has their proper place, leading to the household domestics, who do what they're told regardless, having a sense of contempt for her under their breath. To Harriet, Walter is purely a means to the end of that perfect house. Without Walter having realized it, Harriet, as was her want, has isolated them in their house, his friends who have slowly distanced themselves from him in not wanting to deal with her. Besides the domestics, the only person allowed in the house is Walter's maternal Aunt Ellen, who lives with them in she being his protector against Harriet, unlike Walter's belief that he is taking care of her. Harriet wants the ...Written by
Before television, this kind of short melodrama was standard cinema fare. It's still fun to watch. The interior studio sets don't quite match the exterior studio sets and the people depicted always seem well-to-do. This false elegance is to movies of the 1930s what CGI is to movies of our era. Well, people go to the cinema in part to be dazzled.
This is a women's picture. The director was a woman, the screenplay was written by a woman and the main characters are women. And what a character Russell plays! The movie is a morality play structured around the faults of one character, Mr. Craig's wife. She obsessively wants to control everything to satisfy her need for security, or so goes the the pop psychology implied by the story.
Well-written television serials now deal with these kinds of characters. But I somehow prefer the slower pace of the 1930s version. I also like the little surprises. Watch for Billie Burke, the Good Witch of the North. You'll recognize the voice immediately.
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