Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
A young woman who owns a coffee shop falls for a handsome young customer, unaware that he is a gangster. The association results in her being tried and sentenced to a long prison term. ... See full summary »
In 1884 lumberman Barney Glasgow leaves his true love, saloon singer Lotta Morgan, to marry Emma Louise, his boss's daughter. His buddy Swan Bostrom marries Lotta instead. Barney becomes a lumber magnate by stripping the Wisconsin forests, without re-planting. After 23 years, Barney finally visits Swan. Lotta has died, but Barney is smitten by their daughter Lotta Bostrom, who looks almost like her mother. His lavish attentions to Lotta create gossip and a rivalry between Barney and his son Richard.Written by
Howard Hawks's take on his being "fired" is that he wasn't. Rather, he quit, after refusing to agree with Samuel Goldwyn, who wanted the narrative to stay closer to that of the book. Goldwyn had been ill and absent for the 42 days of shooting that Hawks directed and was unaware of Hawks' rewrites. Hawks left the production with only 14 days left to go. See more »
During the early montage showing the lumber process, fluorescent lights are seen on the ceiling of a workshop. While they had just become commercially available when the film was made, this scene takes place in 1884, decades before their refinement. See more »
An aging lumber tycoon tries to relive his youth after meeting the hauntingly beautiful daughter of an old friend.
Based on the sprawling novel by Edna Ferber, COME AND GET IT is a fascinating love story, filled with action & tenderness and some very good acting. The production values are on a high order, with the authentic logging sequence especially exciting.
Boisterous, brash & bold, Edward Arnold portrays the brawling two-fisted lumberjack who pushes himself to the top of the heap, trampling on his one great love in the process. Although completely unbelievable as a young man during the first three-quarters of an hour, this is not a problem as he is never anything less than enjoyable in the role.
Miss Frances Farmer, playing a tenderhearted floozy and her own ambitious daughter, has the best film of her career. She is nothing less than radiant and her obvious talent makes her bizarre personal history all that much more tragic.
Wonderful Walter Brennan plays Arnold's jovial Swedish pal, in a performance that would catapult him out of cinematic anonymity and earn him the first of his three Oscars for Best Supporting Actor. Seemingly able to play any kind of part - as long as the character was middle-aged or elderly - during his 46 years in movies & television Mr. Brennan would become one of America's most beloved character actors. He died in 1974 at the age of 80.
Almost obscured by the oversized talents around him, Joel McCrea wisely turns in an understated performance as Arnold's quiet, intelligent son (he invents the disposable paper cup!). His years of solid successes in front of the cameras were adding up and he would soon become a major Hollywood star.
A quartet of fine actresses fill smaller roles: Mary Nash as Arnold's neglected wife; Andrea Leeds as his adored daughter; Mady Christians as Brennan's sturdy, sensible niece; and Cecil Cunningham as Arnold's intuitive, sharp-tongued secretary. That's porcine Edwin Maxwell once again playing a bad guy, this time the crooked owner of a lumber camp saloon.
The song which is used as the theme for Miss Farmer's characters is Aura Lee,' (written in 1861 by W. W. Fosdick & George R. Poulton) a very popular strain on both sides during the War Between The States. Decades later, in the 1950's, Elvis Presley would use the tune for one of his biggest hits, Love Me Tender.'
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