Black Legion (1937)

When a hard-working machinist loses a promotion to a Polish-born worker, he is seduced into joining the secretive Black Legion, which intimidates foreigners through violence.

Directors:

Archie Mayo (as Archie L. Mayo), Michael Curtiz (uncredited)

Writers:

Abem Finkel (screen play), William Wister Haines (screen play)

Stars:

Humphrey Bogart, Ann Sheridan, Dick Foran

Nominated for 1 Oscar. Another 2 wins.

Cast

Cast overview, first billed only:
Humphrey Bogart	...	Frank Taylor
Dick Foran	...	Ed Jackson
Erin O'Brien-Moore	...	Ruth Taylor
Ann Sheridan	...	Betty Grogan
Helen Flint	...	Pearl Danvers
Joe Sawyer	...	Cliff Moore (as Joseph Sawyer)
Clifford Soubier	...	Mike Grogan
Alonzo Price	...	Alf Hargrave
Paul Harvey	...	Billings
Dickie Jones	...	Buddy Taylor
Samuel S. Hinds	...	Judge (as Samuel Hinds)
Addison Richards	...	Prosecuting Attorney
Eddie Acuff	...	Metcalf
Dorothy Vaughan	...	Mrs. Grogan
John Litel	...	Tommy Smith

Storyline

Frank Taylor joins the "pro-American" Black Legion when he loses his chance at foremanship to a foreign-born man. The organization is a sort of Ku Klux Klan in the industrial sphere. Frank has troubles with his wife over this and causes serious trouble when he tells all to his best friend Ed Jackson.

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Plot Keywords:

baseball bat | pistol | revolver | lie | slap | 

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Genres:

Crime | Drama | Film-Noir

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

30 January 1937 (USA)

Also Known As:

La legión negra

Filming Locations:

Hollywood, Los Angeles, California, USA

Box Office

Budget:

$235,000 (estimated)

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

83 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

According to the 2007 documentary "The Brothers Warner", the Ku Klux Klan sued Warner Bros. because of a patent infringement over the use of a symbol in the film: a white cross over a red background in a black square. The case was thrown out.

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Goofs

When the Legion trusses Mike Grogan to the tree branch before flogging him, in the shot from the front both of his arms are fully extended from the branch. However, in the shot from behind, his right wrist is strapped to the branch with his arm bent at the crook of the elbow.

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Quotes

Frank Taylor: How yuh doin', Ed?
Ed Jackson: Oh, terrible! I feel like a drill was driving right through the top of my head.
Frank Taylor: It might be a good idea to let out some of dat beer you slopped up last night.
Ed Jackson: Aw, quit riding me, will yuh?
Frank Taylor: Oh, I ain't even started on you yet. C'mon, let's eat.
Ed Jackson: No, Frank, I couldn't.
Frank Taylor: Oh, come on. Do you good. You gotta eat.
[He snaps his finger]
Frank Taylor: I got just the thing to straighten you out.
Ed Jackson: Yeah? What is it?
[...]

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Connections

Featured in Warner at War (2008)

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Soundtracks

Fancy Meeting You
(1936) (uncredited)
Music by Harold Arlen
Played on the radio at Jim's Place

User Reviews

Bogart Plays a Bigot

Very unusual movie for Humphrey Bogart, made a few years before he would become a headline star for WB. He plays a machine shop worker who takes for granted that he will become his shop's new foreman because of his seniority. But when they give it to an educated young Polish-American instead, Bogie becomes resentful and angry. This leads him to joining up with a hate group known as the Black Legion, which is basically the KKK. The Black Legion has a pledge that has to be heard to be believed, so make sure you pay attention to it.

Strong performance from Bogie, as well as a great supporting cast that includes Ann Sheridan, Dick Foran, Joe Sawyer, John Litel, Samuel S. Hinds, and more. A lot of people seem to pick on the movie for not being strong enough in its message, despite the fact that they can't point to any other movies from the period that were even brave enough to try this much. They did what they could do. It's a powerful movie, even if it seems watered down by today's standards. But today we aren't exactly living in the age of subtlety, are we?