A newspaper columnist and host of his own national network radio program, interviewing more film personalities on his show than any other commentator, is searching for a story for a Sunday ... See full summary »
When the ancient continent of Mu sank beneath the ocean, some of its inhabitant survived in caverns beneath the sea. Cowboy singer Gene Autry stumbles upon the civilization, now buried ... See full summary »
Rags-to-riches-to-rags story features Benny Goodman vocalist Martha Tilton as an unemployed big band singer who takes a job as an operator at a jukebox company. After falling in love with a... See full summary »
Live scenes of Paris and a continuity Narrator link together four dramatic re-enactments of original ballet creations by Roland Petit and his ensemble, Ballets de Paris: Carmen (1949), La croqueuse de diamants (1950), Deuil en 24 heures (1953), and Cyrano de Bergerac (1959).
Les Ballets de Paris,
When cowboy star Tom Ford disappears, Wilson gets his double Gene Autry to impersonate him. But Ford owes gangster Rico $10,000 and Rico arrives to collect. He fails to get the money but learns that Autry is an impersonator and now blackmails Wilson and his movie studio.Written by
Maurice VanAuken <firstname.lastname@example.org>
The Light Crust Doughboys and The Jones Boys appear in the credits, but do not appear in the shortened (54 minutes) version, but along with some additional action they appear in the original (71 minutes) movie. See more »
I don't mind being run over in stampedes, falling off cliffs, or fighting wild animals; but when a bunch of women tear my clothes off, I quit!
See more »
A lot of fun as long as you're not expecting a traditional formula Western. There're more imaginative set-ups in this Republic oater than in most A-pictures. Catch the Light Crust Boys as they roll down the road, or the talking horse a couple decades before Mr. Ed, or a mustachioed Gene acting mean and nasty. No, there's no real plot, but the pace is brisk from one lively set-up to the next. And whose great idea was it to film at the new Texas state fair, a backdrop like no other. Those live panoramas are a taste of big screen pageantry before the big screen. All in all, it's a great little peek at popular history and Art Deco. Then too, catch the clever little spoof of movie-making and tyrannical studio heads. I love the movie love scene that immediately becomes a hate scene once the cameras stop rolling. I guess my one complaint is with the movie as a driver's manual-- Driving down the wrong side of a two-lane highway is not, I repeat Not, a good way to deliver lunch. Anyway, the diverse story elements are neatly combined into a highly entertaining 71 minutes, programmer or no programmer. Thanks Western Channel and Autry Enterprises for the full restoration.
6 of 6 people found this review helpful.
Was this review helpful to you?
| Report this