In 18th-century Italy, an orphan's debt to the man who raised him threatens to separate him forever from the woman he loves.In 18th-century Italy, an orphan's debt to the man who raised him threatens to separate him forever from the woman he loves.In 18th-century Italy, an orphan's debt to the man who raised him threatens to separate him forever from the woman he loves.
- Directors
- Mervyn LeRoy
- Michael Curtiz(uncredited)
- Writers
- Hervey Allen(by)
- Sheridan Gibney(screen play)
- Milton Krims(dialogue)
- Stars
Top credits
- Directors
- Mervyn LeRoy
- Michael Curtiz(uncredited)
- Writers
- Hervey Allen(by)
- Sheridan Gibney(screen play)
- Milton Krims(dialogue)
- Stars
- Won 4 Oscars
- 4 wins & 3 nominations total
- Directors
- Mervyn LeRoy
- Michael Curtiz(uncredited)
- Writers
- Hervey Allen(by)
- Sheridan Gibney(screen play)
- Milton Krims(dialogue) (screenplay) (uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFilm debut of Gale Sondergaard. NOTE: She won a "Best Supporting Actress" Academy Award (which was a new category).
- GoofsDuring the duel between Don Luis and Denis Moore, the sword wielded by Moore was "unbated", i.e. his fencing foil was blunted with a protective guard on the tip.
- Quotes
[first title card]
Title Card: Those who are destined to live during times of war and social upheaval are victims of cruel fate ~~ unable to find comfort in the past or peace in the present. They are the spiritual orphans of the world.
- ConnectionsFeatured in The Making of a Great Motion Picture (1936)
- SoundtracksI'll Wait For You My Love (Angela's Song)
(uncredited)
Composer: Erich Wolfgang Korngold
Lyrics by Howard Koch (uncredited)
Sung by Carol Ellis (uncredited)
Review
Featured review
Relic for Cinema's Treasure Chest
Hervey Allen (1889-1949) spun quite an elaborate, sweeping 18th-19th century yarn in the form of a gigantic novel, published in 1933, called "Anthony Adverse." It became a best-seller, and three years later Warner Bros. brought it to the screen, directed by Mervyn LeRoy.
The film was very long, comprehensive, and romanitc, in Allen's quasi-Dumas-Dickens-Tolstoy style.
Heading the cast were four of the screen's finest actors, leading players Fredric March and Olivia de Havilland; and supporting character players Claude Rains and Gale Sondergaard.
Providing the musical score was the legendary Eric Wolfgang Korngold (with orchestrations by Hugo Friedhofer) and classic masque and operatic excerpts by Monteverdi and Francetti.
The 141-minute film today seems much longer than it is, as we follow Anthony's detailed "adventures" in Europe, Cuba, and Africa, with America targeted as a final future destination. The whole production, which was considered of blockbuster size in 1933 (and still looks impressive), emerges more like a historic relic that is occasionally pulled from a treasure cabinet, to observe and ponder.
The whole feel of the film now seems dated and out-of-fashion, but then that's what most memorabilia is. It's merely dusted it off, polished, felt for the moment, then replaced along side other treasured pieces from the past.
The film was very long, comprehensive, and romanitc, in Allen's quasi-Dumas-Dickens-Tolstoy style.
Heading the cast were four of the screen's finest actors, leading players Fredric March and Olivia de Havilland; and supporting character players Claude Rains and Gale Sondergaard.
Providing the musical score was the legendary Eric Wolfgang Korngold (with orchestrations by Hugo Friedhofer) and classic masque and operatic excerpts by Monteverdi and Francetti.
The 141-minute film today seems much longer than it is, as we follow Anthony's detailed "adventures" in Europe, Cuba, and Africa, with America targeted as a final future destination. The whole production, which was considered of blockbuster size in 1933 (and still looks impressive), emerges more like a historic relic that is occasionally pulled from a treasure cabinet, to observe and ponder.
The whole feel of the film now seems dated and out-of-fashion, but then that's what most memorabilia is. It's merely dusted it off, polished, felt for the moment, then replaced along side other treasured pieces from the past.
helpful•54
- harry-76
- Aug 11, 2001
Details
Box office
- Budget
- $1,050,500 (estimated)
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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