Sam Clayton has a good heart and likes to help out people in need. In fact, he likes to help them out so much that he often finds himself broke and unable to help his own family buy the things they need--like a house.
A wealthy New York socialite falls for and marries a cowboy while out West. Her father disinherits her, and after trying to make a go of it as a cowboy's wife, they agree to divorce and she... See full summary »
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
A young American girl visits Paris accompanied by her fiancee and her wealthy uncle. There she meets and is romanced by a worldly novelist; what she doesn't know is that he is a blackmailer who is using her to get to her uncle.
Joel McCrea plays a hotshot reporter who thinks he knows everything and Jean Arthur plays an actress who puts one over on him. It turns out the financier of her play is a notorious art collector who steals what he can't buy and the play he's financing is just a front for a job he is planning.Written by
After George (Joel McCrea) hears Clair (Jean Arthur) scream, he goes into the room she's been taken to and sees a child's coffin, with Clair lying on the floor. In the next shot Clair is still lying on the floor, but the child's coffin is nearly obscured from view by flowers placed in front of the casket and draped over it. See more »
Joel McCrea and Jean Arthur have an "Adventure in Manhattan" in this 1936 film, also starring Thomas Mitchell and Reginald Owen, and directed by Edward Ludwig.
McCrea plays a sharp criminal reporter who is convinced that a world-famous thief, believed dead, is actually very much alive and responsible for some big heists that have taken place. He meets Arthur, a young actress, and the two fall in love as McCrea tries to prove his theory.
This is a really enjoyable film, with delightful performances by McCrea and Arthur. It's a bit all over the place - part screwball, part mystery. I frankly didn't see much of Nick and Nora Charles in it as others have. But the dialogue is bright, McCrea and Arthur have good chemistry, and some aspects of the mystery are good. McCrea is often thought of as sort of a poor man's Gary Cooper: a handsome, hunky all-American. In westerns there is more of a similarity, with Cooper having more gravitas, but McCrea's lighter touch and more overt personality lent themselves well to comedy. That's where he and Cooper parted company.
Enjoyable, and with a better script, it would have been terrific.
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