During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Non-citizen Arthur marries reporter Murphy for a bogus gangster's confession. A divorce is needed, and Murphy is fired. The gangster wants her to be his girlfriend, the police are outside, and only one who can save her is Murphy.
Erle C. Kenton
George Melville (Joel McCrea), a criminologist, is hired onto the staff of a newspaper to help apprehend a master burglar whose targets runs to art treasures and priceless gems, on the basis that the thief and the criminologist have similar tastes. He is aided and mocked by Claire Peyton (Jean Arthur), an actress , who is appearing in a play financed by the burglar with impeccable taste.Written by
Les Adams <firstname.lastname@example.org>
After George (Joel McCrea) hears Clair (Jean Arthur) scream, he goes into the room she's been taken to and sees a child's coffin, with Clair lying on the floor. In the next shot Clair is still lying on the floor, but the child's coffin is nearly obscured from view by flowers placed in front of the casket and draped over it. See more »
Joel McCrea and Jean Arthur have an "Adventure in Manhattan" in this 1936 film, also starring Thomas Mitchell and Reginald Owen, and directed by Edward Ludwig.
McCrea plays a sharp criminal reporter who is convinced that a world-famous thief, believed dead, is actually very much alive and responsible for some big heists that have taken place. He meets Arthur, a young actress, and the two fall in love as McCrea tries to prove his theory.
This is a really enjoyable film, with delightful performances by McCrea and Arthur. It's a bit all over the place - part screwball, part mystery. I frankly didn't see much of Nick and Nora Charles in it as others have. But the dialogue is bright, McCrea and Arthur have good chemistry, and some aspects of the mystery are good. McCrea is often thought of as sort of a poor man's Gary Cooper: a handsome, hunky all-American. In westerns there is more of a similarity, with Cooper having more gravitas, but McCrea's lighter touch and more overt personality lent themselves well to comedy. That's where he and Cooper parted company.
Enjoyable, and with a better script, it would have been terrific.
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