Jim is a compulsive gambler. He meets Marge at a boarding house and they get married. His gambling causes problems. When he runs into old flame Valerie, Marge leaves him. After a few years ... See full summary »
Alfred E. Green
Edward G. Robinson,
A plane takes off from Peru (in a long no-dialogue scene) in a storm with two passengers; it lands in Panama with one. The missing man had valuable oil-location maps; everyone who is after ... See full summary »
Ordinary man-in-the-street Arthur Ferguson Jones leads a very straightforward life. He's never late for work and nothing interesting ever happens to him. One day everything changes: he oversleeps and is fired as an example, he's then mistaken for evil criminal killer Mannion and is arrested. The resemblance is so striking that the police give him a special pass to avoid a similar mistake. The real Mannion sees the opportunity to steal the pass and move around freely and chaos results.Written by
Col Needham <email@example.com>
This movie is the inspiration for 1998 Bollywood movie 'Duplicate' starring Shah Rukh Khan in the double role. See more »
When Jonesy leaves his apartment in a rush he forgets to turn off the taps and his tub is (torrentially) overflowing. But when he returns from the police much later in the day there is no water anywhere. See more »
Jonesy, you sure are going places! Just think of it, an invitation to the boss' shack.
See more »
This is an atypical and impersonal Ford film. Given the studio (Columbia Pictures) and the screenwriter (Robert Riskin), this is an ideal stuff for Frank Capra. But it remains without a doubt one of the most enjoyable and pleasurable comedies ever made. It features graceful dynamism and vibrancy that are rare in the Ford oeuvre. It is also one of his fastest movies. It contains what it is probably one of the finest Edward G. Robinson performances I have seen. He is outstanding in the dual role of a mild, working class office clerk Arthur Ferguson Jones who is mistaken for a ruthless mobster Mannion (the role he perfected in "Little Caesar"). And then there is the lovely Jean Arthur as Robinson's coolly self-reliant co-worker, who starts by pitying him and then encourages him, and ultimately falls in love with him. She and Robinson are superb together. It is nowhere near her splendid presence in Mitchell Leisen's "Easy Living" and Frank Borzage's "History Is Made at Night", but this was the sort of role Arthur was to make of her own.
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