A Tale of Two Cities (1935)

A pair of lookalikes, one a former French aristocrat and the other an alcoholic English lawyer, fall in love with the same woman amongst the turmoil of the French Revolution.

Directors:

Jack Conway, Robert Z. Leonard (uncredited)

Writers:

Charles Dickens (novel), W.P. Lipscomb (screen play)

Stars:

Ronald Colman, Elizabeth Allan, Edna May Oliver

Nominated for 2 Oscars.

Cast

Cast overview, first billed only:
Ronald Colman	...	Sydney Carton
Elizabeth Allan	...	Lucie Manette
Edna May Oliver	...	Miss Pross
Reginald Owen	...	C.J. Stryver
Basil Rathbone	...	Marquis St. Evrémonde
Blanche Yurka	...	Madame Therese De Farge
Henry B. Walthall	...	Dr. Manette
Donald Woods	...	Charles Darnay
Walter Catlett	...	Barsad
Fritz Leiber	...	Gaspard
H.B. Warner	...	Gabelle
Mitchell Lewis	...	Ernest De Farge
Claude Gillingwater	...	Jarvis Lorry Jr.
Billy Bevan	...	Jerry Cruncher
Isabel Jewell	...	Seamstress

Storyline

Alas, an aristocrat and a barrister on the same plateau. This is the story of a revolution, a revolution that occurred in France known as the Reign of Terror. The barrister, the town alcoholic and man of disrepute, is in love with a beautiful woman, who marries the aristocrat and bears a beautiful baby girl. The baby girl is infatuated with the barrister, and he her because of her mother. The ultimate sacrifice occurs and a man's soul goes forward.

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Plot Keywords:

knitting | vengeance | french revolution | guillotine | self sacrifice | 

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Taglines:

The Immortal Story of Love and Intrigue During French Revolution!

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Genres:

Drama | History | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

25 December 1935 (USA)

Also Known As:

Charles Dickens' 'A Tale of Two Cities'

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

128 min 121 min (video)

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film's earliest documented telecast took place in Seattle Saturday 1 June 1957 on KING (Channel 5); it first aired in Portland OR 21 June 1957 on KGW (Channel 8), in Minneapolis 17 July 1957 on KMGM (Channel 9), in Baltimore 11 September 1957 on WJZ (Channel 13), in Philadelphia 13 September 1957 on WFIL (Channel 6), in New Haven CT 27 September 1957 on WNHC (Channel 8), in Altoona PA 11 October 1957 on WFBG (Channel 10), in Phoenix 24 October 1957 on KPHO (Channel 5), in Chicago 26 October 1957 on WBBM (Channel 2), in San Antonio 25 November 1957 on WOAI (Channel 4), in Los Angeles 29 November 1957 on KTTV (Channel 11), and in Honolulu 3 December 1957 on KHVH (Channel 13); in San Francisco it was shown 8 June 1958 on KGO (Channel 7), but New York City television viewers didn't get their first look at it until Sunday 22 November 1959 on WCBS (Channel 2).

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Goofs

When Carton walks Lucie & Miss Pross home after midnight Christmas mass, there is "snow" covering Lucie's hat. When she turns in the doorway, her hat has none on it.

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Quotes

Sydney Carton: Yours is a long life to look back on, Mr. Lorry?
Jarvis Lorry Jr.: I'm 78.
Sydney Carton: Long life... useful one.
Jarvis Lorry Jr.: A solitary bachelor - nobody would weep for me.
Sydney Carton: Wouldn't SHE weep for you?
[refers to Lucie]
Jarvis Lorry Jr.: Yes, thank God. I didn't quite mean what I said.
Sydney Carton: It is a thing to thank God for, isn't it. Tell me, if you looked back on that long life and saw that you had gained neither love, gratitude nor respect of any human being... it would be a bitter reflection, wouldn't it?
Jarvis Lorry Jr.: Why yes, surely.

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Connections

Version of How Does It End?: A Tale of Two Cities (1952)

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Soundtracks

Prelude Opus 28 No. 7
(1834) (uncredited)
Written by Frédéric Chopin
Arranged by Herbert Stothart
Played in several scenes

User Reviews

"It was the best of times..."

Most of the fiction of Charles Dickens is set firmly in the 19th Century, from roughly 1820 to 1865 or so. Twice, however, he essayed the historical novel. It was really not his specialty. His rival, William Thackeray, was into the past and constructed several notable tales of 18th Century life ("Henry Esmond", "The Virginians", "Denis Duval", "Barry Lyndon", "Catherine"). Compared to this Dickens only squeezed out "Barnaby Rudge" and "A Tale of Two Cities". The first one (published in 1842) was interesting, as it dealt with a serious riot that almost overthrew the monarchy in 1780. But few people read it. Ironically enough, the following year Dickens wrote a novella of 100 pages which became one of his perennial favorite works - "A Christmas Carol". But the second novel (published in 1859 - as Dickens reached the heights of his literary powers) became one of the greatest historical novels ever written. It also has the best introductory paragraph of any of his novels (see the "summary" line to see the opening of it).

He had prepared on the background to "A Tale of Two Cities" by reading Thomas Carlyle's classic "History of the French Revolution". It might have been better if he had read some of the French historians, for Carlyle was a great colorist (he created the "green-eyed" monster image of Maximillian Robespierre that most British and Americans still adhere to), but he saw the Revolution from an ultra-conservative view. It colors Dickens' version, where nothing good seems to come from the French revolutionaries. In his essay on Dickens, George Orwell says that his constant image of carts filled of guillotine victims made the very word "tumbril" sinister. It did. By all means read this novel, and see this film, but don't base your view of that historical event on the novel or film.

The story follows the events of the Manette and St. Evremonde families and their friends (particularly Sidney Carton, a barrister) in England and France, as well as the growing revolutionary spirit in France that is symbolized by the Defarges from 1780 to 1793. Dickens is basically claiming that the cruelties of the ancien regime (represented by the old Marquis St. Evremond) will end by creating new cruelties and new masters now from the lower classes itself. Monsieur Defarges is somewhat more sympathetic to some people (after Charles is condemned to death by a revolutionary tribunal he sees no reason to continue going after the others), but Madame Defarges, remembering the sufferings of her own family, is willing to kill anybody connected to the aristocrats (including the Englishwoman Miss Pross). When one reads the full final speech of Sidney in the novel he foresees that the new leaders are doomed to be eaten up by the guillotine as well (including Defarges).

Much of the five hundred page novel (one of Dickens shortest novels - which helps it's narrative flow) is cut in the film, but the main points are kept. Possibly the most important cut deals with a minor character, Serjeant Stryver - he is Sidney's boss, and uses Sidney's brilliance to win his cases. He actually is a rival for Lucy Manette's hand in the novel, but this is not in the film. Reginald Owen did well in the part, but it would have been hard to see him as a potential lover (especially as Sidney is played by Ronald Colman, or Darnay by Douglas Woods).

The cast was an excellent one, giving Colman, Woods, Rathbone, Oliver, Yurka, Warner, Walthall, and Catlett exceptionally good moments to shine. Witness Rathbone dismissing the murmurs of the intelligentsia (although he finds Voltaire amusing). Witness Yurka's testimony at Darnay's trial. See Catlett's final moments, watching the last tumbrel of guillotine victims going to their doom, and calming down two men who are shouting with glee (very subtly done, and unusual for Catlett - usually a comic actor). Whether Sidney Carton is Colman's greatest performance is questionable (his mad actor in "A Double Life" is better, as is his George Apley and Dick Heldar), but it is a signature part. To this day he's imitated saying, "It is a far, far better thing I do...." No quote for the other roles is submitted by budding Rich Littles among us.

Such an excellent film owes it's production to one man: David O. Selznick, it's producer. A man who loved literature, Selznick made "A Tale of Two Cities" as one of a series of literary based films (with "David Copperfield", and "Little Lord Fauntleroy") that were uniformly excellent, and culminated in "Gone With The Wind". "A Tale of Two Cities" is not as long as "Gone With The Wind", but shows the same taste and craftsmanship that made the latter film a great one too.