Leo Vincey, told by his dying uncle of a lost land visited 500 years ago by his ancestor, heads out with family friend Horace Holly to try to discover the land and its secret of immortality...
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In a backward post-apocalyptic world, She aids two brothers' quest to rescue their kidnapped sister. Along the way, they battle orgiastic werewolves, a psychic communist, a tutu-wearing ... See full summary »
A beautiful young European girl, Carol, is taken over by the spirit of mysterious Ayesha, queen of the lost city of Kuma. Carol is taken to Kuma to succeed the almost-immortal Ayesha as ... See full summary »
Leo Vincey receives a map from his late father, leading him to the legendary city of Kor in search of an explanation for his mysterious ancestry. He is accompanied by his girlfriend Roxanne... See full summary »
Leo Vincey, told by his dying uncle of a lost land visited 500 years ago by his ancestor, heads out with family friend Horace Holly to try to discover the land and its secret of immortality, said to be contained within a mystic fire. Picking up Tanya, a guide's daughter, in the frozen Russian arctic, they stumble upon Kor, revealed to be a hidden civilization ruled over by an immortal queen, called She, who believes Vincey is her long-lost lover John Vincey, Leo's ancestor.Written by
Doug Sederberg <email@example.com>
I have very happy memories of this movie, which I finally saw in a revival house in New York City in the early Nineties, after many years of its unavailability due to the Hammer remake. This much more idiosyncratic version from the Thirties owes a lot of its atmosphere and stylish elan to the extraordinary Bauhaus-inspired sets, the Max Steiner score, and Helen Gahagan's majestically mannered performance as She Who MUST Be Obeyed. It's a film very much of its time yet there is also a timeless, haunting quality to certain sequences. It has very little to do with Rider Haggard's novel (which is a great favorite of mine) but once I realized this was going to be a different story altogether I didn't care.
The theatre that showed this was packed for a mid afternoon screening, and the audience reacted with tremendous enthusiasm to this classic film. If you have a taste for such great 1930s epics as King Kong, Gunga Din, and King Solomon's Mines, you will enjoy it as well. The 1965 version with Ursula Andress, Peter Cushing and Christopher Lee is fun as well but has even less to do with the themes of Haggard's original novel. It does however have a more up to date feel for those who care about glossy production values.
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