Scrooge, the ultimate Victorian miser, hasn't a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. But in the night, Scrooge is ...
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On Christmas Eve, an old miser named Ebenezer Scrooge is visited by the spirit of his former partner, Jacob Marley. The deceased partner was in his lifetime as mean and miserly as Scrooge ... See full summary »
The premise of the story surrounds an unexpected road trip to find a long-lost daughter on Christmas Eve. Emmy winner, Joseph Campanella; stage and screen star, Ruta Lee; and Latin Grammy ... See full synopsis »
Scrooge & Marley is a modern variation on Charles Dickens' A Christmas Carol. Recounted from a gay sensibility with heart, comedy & music, the magic of Dickens' timeless tale of a man's redemption comes alive from a fresh perspective.
Richard Knight Jr.,
The colorful holiday classic is finally brought to the big screen, designed by famed children's story author and artist Maurice Sendak, and written for the first time to be as close as ... See full summary »
An animated, magical, musical version of Dickens' timeless classic "A Christmas Carol." The nearsighted Mr. Magoo doesn't have a ghost of a chance as Ebenezer Scrooge, unless he learns the ... See full summary »
Scrooge, the ultimate Victorian miser, hasn't a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. But in the night, Scrooge is visited by spirits of another color. Straightforward adaptation of DickensWritten by
Rod Crawford <firstname.lastname@example.org>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
When Scrooge is getting home from the pub on Christmas Eve, a white bucket drops at his feet, missing his head by inches. Unfazed by the goof, Scrooge kicks it out of the shot making it seem like it was intentional, but it is clearly a post-Victorian era plastic bucket. See more »
Lord Mayor's Secretary:
[at a huge Christmas Eve dinner being held for polite society]
My Lord, shall we proceed with your speech, or shall we let the ladies and gentlemen continue to enjoy themselves?
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Two different opening credits sequences have been created for this film. Both feature the same credits, and basically the same main title music, but they are designed differently. In the first, we see a man's hands take down a copy of the original novel "A Christmas Carol" from a bookshelf, and thumb through its pages, revealing the credits (almost exactly as in the opening credits for the 1951 film A Christmas Carol (1951), starring Alastair Sim). Many of the names are printed using the print type seen in first editions of Dickens, as in the opening credits of David Copperfield (1935). In the "alternative credits", the credits simply appear on what looks like a metal doorplate, in a very straightforward manner. This is the way they have usually been shown in television screenings of the film. The "alternative credits" version is the only one which shows which cast member played each character (shown at the end of the film). In the original credits, we see the names of the cast, but not the names of the characters they portray. The original opening credits are much more detailed than the ones shown in the second opening credits sequence. See more »
While not as well-known as other versions of the Dickens classic (Owen, Sim, Magoo, Scott), the 1935 British film of "A Christmas Carol" is almost in their league. Among other things, it preserves, in sound, the performance of one of the legendary Scrooges of the English stage, Sir Seymour Hicks, who definitely does not disappoint. In the beginning, his Scrooge is one of the nastiest ever seen on film, his appearance that of something that crawled out from under a rock. But it is precisely these qualities that make his gradual transformation all the more affecting. At the beginning, we loathe the man, at the end, we rejoice with him at his redemption.
The performances of the rest of the cast are on the same level, with Oscar Asche's Falstaffian Ghost of Christmas Present a particular standout. And, although this is probably the one major film version of the story where you don't actually see Marley's Ghost, the anonymous actor who provides his voice, the accompanying special effects, and Hicks's reactions are enough to make the scene that much spookier.
Finally, kudos to Sydney Blythe and William Luff for their excellent camerawork. Fog-shrouded 19th century London has rarely been presented this well in ANY picture. And the play of light and shadow, particularly during the Christmas-Yet-to-Come sequence, would scare even the Scroogiest among us into repentance.
In sum, while this is not on the level with the excellent versions I've already mentioned, it has more than its' share of good points, and deserves to be seen at least once.
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