Blake is in love with an aristocratic woman whose husband seriously injures him. Blake's friendship with Lord Nelson provides the basis for Blake's part in the growth of Lloyd's insurance ... See full summary »
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
Three navy men run into a shady producer who convinces them to invest into his new show. When they meet the show's female star attraction, they're sold. Have they become the latest showbiz players or just three more suckers?
British District Officer in Nigeria in the 1930's rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief.Written by
Michael Crew <firstname.lastname@example.org>
This film was included in the first syndicated television presentation of a package of major studio feature films on USA television; it premiered in Philadelphia Friday 4 June 1948 on WFIL (Channel 6), followed by Chicago Monday 21 June 1948 on WGN (Channel 9), by Cleveland Sunday 11 July 1948 on WEWS (Channel 5), by New York City Sunday 25 July 1948 on WPIX (Channel 11), by Baltimore Saturday 30 October 1948 on WMAR (Channel 2), and by Los Angeles Sunday 2 January 1949 on KTLA (Channel 5). The package consisted of 24 Alexander Korda productions originally released theatrically between 1933 and 1942. See more »
Paul Robeson's chest hair comes and goes, from one sequence to another. See more »
Leslie Banks stars as the title character, a British officer who manages to keep the peace between the African tribes loyal to His Majesty and those loyal to the African king. His right-hand man, one of the tribal leaders, played by Paul Robeson, does all he can to help Banks maintain the peace, but when Banks takes a trip away from the region, all heck breaks loose. Robeson tries his best to stem the tide of revolution against the British in Sanders' absence.
Zoltan Korda directed this surprisingly lesser-quality film, but actually wanted to make a more positive film in regards to its portrayal of Africa, but sadly he was dissuaded. Also, it is sad to see Robeson, such a political force for equality in real life, play a stereotypically subservient role to Banks. The film was based on Edgar Wallace's novel at the urging of the film's producer and director's brother, Alexander.
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