Ruth Raymond works on the switchboard and her boyfriend is John Blake. It has taken 14 years, but a detective named Murray has found her and confirmed that she is Ruth Carson. As a child, ... See full summary »
Harry Leon Wilson has written nothing more diverting than this story of the irreproachable English valet who is lost in a poker game to a rough-and-ready westerner and taken to Red Gap ... See full summary »
Lawrence C. Windom
While visiting Paris in 1908, upper class Lord Burnstead loses his butler playing poker. Egbert and Effie Floud bring Ruggles back to Red Gap, Washington. Effie wants to take advantage of Ruggles' upper class background to influence Egbert's hick lifestyle. However, Egbert is more interested in partying and he takes Ruggles to the local 'beer bust'. When word gets out that "Colonel Ruggles is staying with his close friends" in the local paper, the butler becomes a town celebrity. After befriending Mrs. Judson, a widow who he impresses with his culinary skills, Ruggles decides to strike out on his own and open a restaurant. His transition from servant to independent man will depend on its success.Written by
Gary Jackson <email@example.com>
The original Broadway production of "Ruggles of Red Gap" by Harrison Rhodes opened at the Fulton Theater on December 25, 1915 and ran for 33 performances. See more »
When Effie tells Ruggles to take her husband to the art museums she shows him a book that he uses to record his impressions of the art he's viewed, when the camera angle changes the book has changed from her hands to her husbands hands without any pause in her lines. See more »
What you want is... is... is... some more of this imprisoned laughter of the pleasant maids of France.
See more »
Opening credits are shown over various silhouettes of a butler. See more »
It's my favorite movie. I love it beyond all reason. I have it on VHS (need DVD NOW!) as well as a still reproduction of Charles Laughton in the title role. I named one of my cats Ruggles. In other words, my recommendation is high! That said, I don't want to oversell it. While it contains some admirable themes about throwing off tradition and becoming your own person, it's above all a charming character comedy distinguished by Leo McCarey's signature style of improvisatory naturalism (particularly in comparison to the usual run of mainstream fare). Jean Renoir's famous quote about McCarey being one of the few directors who understood human beings (or words to that effect) is made clear here.
While there's plenty of broad humor, my favorite scenes involve smaller, character-centered moments, such as the sly little courtship scene in which a piano-playing Leila Hyams coaches a smitten Roland Young as he attempts to accompany her on drums.
It's full of colorful characters, priceless dialogue and emotionally involving story arcs. Seek it out -- if you like it one-tenth as much as I do, you'll consider your time well spent.
28 of 29 people found this review helpful.
Was this review helpful to you?
| Report this