Ambrose the kitten renames himself Butch and runs away from home with plans to become a robber. His first intended victim, though, is a real robber: Dirty Bill, a dog. Dirty Bill asks ...
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The Little Red Riding Hood and the two little pigs are adventurous to defend tries to hiding under the bed, the big bad wolf is blowing up the brick house, But they starts an odyssey of rebuilding and retribution.
A hen has taken up residence in Pluto's doghouse and laid her eggs. She steps out; Pluto comes home and the eggs all hatch, and the chicks take Pluto for mommy and won't let go. Then a ... See full summary »
Ambrose the kitten renames himself Butch and runs away from home with plans to become a robber. His first intended victim, though, is a real robber: Dirty Bill, a dog. Dirty Bill asks Ambrose/Butch if he's pulled off any big jobs, and he tells of the stagecoach robbery we saw him enacting with dolls and toys at the beginning of the movie, without, of course, mentioning that it was all playacting. Bill asks him about the loot, and Butch brings out a bag of cookies. Bill won't accept that answer, and comes after Ambrose, scaring him right into the bath he earlier avoided.Written by
Jon Reeves <email@example.com>
Little Ambrose dreams of becoming Butch, THE ROBBER KITTEN, and runs away from home to live life as a bandit. But an accidental & dangerous meeting with the notorious outlaw dog, Dirty Bill, just might change the young feline's mind...
This is a very well drawn cartoon, with good character development. Strangely, it is almost totally obscure. Ambrose might, under different circumstances, have become a recurring character for Disney, but after this single outing he was forced into very early retirement.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
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