Fisherman Dutch marries cannery worker Hattie. He quits his poorly paid job to concentrate on getting better working conditions as union leader. Unfortunately, the union members disagree ... See full summary »
A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
Wealthy Bob Harrison buys all the seats in the theatre to watch Mona Leslie's musical by himself. He loves her, her agent Ned Riley loves her. Conflict ensues.Written by
Ed Stephan <firstname.lastname@example.org>
This film was a disappointment at the box office for MGM, resulting in a loss of $125,000 ($1.13M in 2017) according to studio records. See more »
As Ned, Smiley and Blossom leave a betting parlor with winnings from horse betting, they pass a jewelry shop's window display of wedding rings with a candle on each side. The candle on the right is tilted at a 45 degree angle. Both candles are vertical in the next shot. See more »
Get out of my way, you gorilla!
Why does she always call me a gorilla? Ain't I a man like everybody else?
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Jean Harlow shows she can neither dance or sing well in Reckless, A Selznick driven production cynically attempting to cash in on the "Platinum Blonde's" tabloid fresh brief marriage to producer Paul Bern. The role is tailored made for the better voiced, trained dancer Crawford but MGM and director Victor Fleming instead opt for evasive action shooting Jean's double in long shot from the side and hiding her behind the gaudy costumes of the chorus to make up for her hoofer inefficiencies. When she sings (or is dubbed) the Kern, Hammerstein tune Reckless it comes across as bad Mae West.
Ned Riley (William Powell) manages the blossoming Broadway career of Mona Leslie. He wants to marry her but vacillates and loses her to spoiled playboy Bob Harrison (Franchot Tone) who on a whim buys out an entire show to watch her perform alone. They rush into marriage, Bob dumping intended "Jo" ( Roz Russell ) much to the discomfort of the upper crust society that Leslie feels out of place in. When Jo quickly rebounds and marries Bob predictably acts out and things snowball from there to tragedy.
In its early scenes Reckless is buoyantly screwball, eventually becoming deadly serious before sealing its fate with an insipid redemption. Harlow underwhelms in every way. Somewhat detached to both lovers she provides little spark in her scenes with either though Powell and Tone acquit themselves well in their respective roles. Shot from the waist up smiling as she plows through her dance numbers Fleming goes as far as dissolving a trained professionals steps and gams to Harlow's upper torso in one shot to pull off the ruse. By throwing caution to the wind and playing against Harlow's weaknesses Selznick's actions regarding this picture are succinctly summed up in the title.
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