Three department store girls--Connie, Franky, and Jerry--share an apartment on West 91st Street in New York City. Each earns little more than 20 dollars per week. Jerry is the sensible one,... See full summary »
Bob is a struggling artist who paints for his own amusement. Julie is a rich society girl. When they meet, it is cute and they are soon married. Living in a small apartment with the ... See full summary »
Hard-hitting news editor Jim Branch falls for high-society type Sharon Norwood but can't get to first base as he continually makes use of her knowledge of the rich and famous to try to ... See full summary »
Robert Z. Leonard
As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to... See full summary »
Count Armalia believes that the luck of birth is all that separates the rich from the poor. To test his theory, he sends Anni, who is a singer in a dive, to a ritzy resort for two weeks. ... See full summary »
A young married couple's weekend is interrupted by the arrival of a brash, loud-mouthed acquaintance of the wife, who knew her before her marriage. He immediately proceeds to turn their ... See full summary »
When Bill and Connie Fuller are forced to move out of their Manhattan apartment because of their pet dog, Connie persuades Bill to buy a dilapidated old Pennsylvania house that George Washington allegedly slept in.
When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she ... See full summary »
Olivia de Havilland,
Though the careers of Robert Montgomery, Joan Crawford, and her husband at the time, Franchot Tone's respective careers were not hurt by films like No More Ladies, this was the kind of stuff all three of these players were looking to get out of.
There was a truism at MGM back in its heyday. For films where the men wear tuxedos you first get Robert Montgomery. If he turns it down get Franchot Tone. If it's bad enough for Tone to turn it down God help him, Robert Young is stuck with it. So knowing the pecking order and knowing the billing, you can guess who Crawford winds up with.
Robert Montgomery plays another of those irrepressible womanizing playboys who's sowed enough wild oats to qualify for a farm subsidy. He's decided to settle down with society girl Joan Crawford who has certain ideas about infidelity and how wrong it is. Montgomery behaves at first, but when he uses their perpetually inebriated friend Charlie Ruggles as an alibi that doesn't hold up, Crawford decides on some revenge with Franchot Tone.
No More Ladies is harmless enough and when Edna May Oliver as Joan's grandmother is on the screen, always entertaining. But it was the stuff that MGM was grinding out in its dream factory. It was a case of Montgomery and Tone look great in tuxedos so cast them as urban playboys.
Well, both of them did look great, Louis B. Mayer wasn't wrong about that.
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