Opera singer (Marie de Flor) seeks out fugitive brother in the Canadian wilderness. During her trek, she meets a Canadian mountie (Sgt. Bruce) who is also searching for her brother. Romance... See full summary »
W.S. Van Dyke
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lillian, if she can dance in his new show. Bert Keeler, a newspaper man, ... See full summary »
An elderly Miss Morrison recounts her life as the once young and beautiful opera singer Marcia Morney-then the toast of Napoleon III's Paris. One evening, she encounters an American voice ... See full summary »
Robert Z. Leonard
Princess Marie de Namours de la Bonfain is a beautiful, young, sophisticated French princess of 23, who finds more worth in true love than a title. On the eve of her arranged marriage, to a Spanish-grandee, whom she doesn't love, her maid, Marietta comes to her to say farewell. Marietta is to leave that night on a cargo ship bound for New Orleans where she is to make a new life and find a husband. Princess Marie trades places with Marietta to escape her unwanted marriage and takes on the maid, Marietta's identity. While sailing, the cargo ship is taken hostage by pirates, but, Captain Richard Warrington and his mercenaries soon come to the rescue. Captain Warrington is quickly taken by the beautiful princess aka Marietta and she with him. But, he has no interest in marriage and she's afraid she might be recognized. Meanwhile in France, a search and reward is out for Princess Marie's whereabouts. Princess Marie's Uncle and fiancée soon discover that she is in New Orleans and sail for ...Written by
The two crucial missing characters are the Governor's effeminate son Etienne and the Gypsy girl with whom he has fallen in love. They form an alternate love match which was completely eliminated from the movie version. See more »
The 17th Century French nuns have plucked eyebrows and wear make-up and lipstick. See more »
So you like me as a nightingale? Wasn't I magnificent?
Oh, you're a modest little fellow, aren't you?
I'm known as the mad Mudlark of the Mississippi. Ssh, don't tell a soul.
No, I won't. I'll leave that for you to do.
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Naughty Marietta has earned it place in film history for being the first film to pair the singing duo of Nelson Eddy and Jeanette MacDonald, but it's also a fine example of its particular genre.
A typical variant on the boy-meets-girl theme, this film has a French princess running away from the court of Versailles to the newly- colonized Louisiana, where she meets and falls in love with a mercenary soldier who sings as well he fights. There is an excellent supporting cast including Frank Morgan and Elsa Lanchester, but it is above all a vehicle for the singing talent of Eddy and MacDonald. The script is amusing and at times quite sophisticated and the pair handle it well (MacDonald is a bit ahead of Eddy here, but he makes up for that with his glorious baritone voice). The final duet, Ah Sweet Mystery of Life is one of the great vocal duets in cinema musical history, and only slightly less orgasmic than the "Czaritza" duet in Maytime.
Obviously a vehicle for fans of the Singing Sweethearts, but the film's production values are good, and it should be interesting viewing for any student of cinema's Golden Age.
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