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Living on Velvet (1935)

Passed | | Drama, Romance | 2 March 1935 (USA)
Terry Parker (George Brent) is shattered by the crash of his airplane which killed his parents and sister, and adopts a listless attitude toward life. But romance enters in the person of ... See full summary »

Director:

Frank Borzage

Writers:

Jerry Wald (story and screen play), Julius J. Epstein (story and screen play) (as Julius Epstein)
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Cast

Complete credited cast:
Kay Francis ... Amy Prentiss
Warren William ... Walter 'Gibraltar' Pritcham
George Brent ... Terrence Clarence 'Terry' Parker
Helen Lowell ... Aunt Martha Prentiss
Henry O'Neill ... Harold Thornton
Russell Hicks ... Major
Maude Turner Gordon Maude Turner Gordon ... Mrs. Parker
Samuel S. Hinds ... Henry L. Parker (as Samuel Hinds)
Martha Merrill Martha Merrill ... Cynthia Parker
Edgar Kennedy ... Counterman
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Storyline

Terry Parker (George Brent) is shattered by the crash of his airplane which killed his parents and sister, and adopts a listless attitude toward life. But romance enters in the person of Amy Prentiss (Kay Francis), the girl friend of his best friend, Gibraltar (Warren William), who graciously lets love take its course and even helps the couple get married and get located. Amy tries to steer Terry out of his irresponsible ways but fails and eventually leaves him, only to be reunited when called to Terry's side after he has been in an automobile crash. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

2 March 1935 (USA) See more »

Also Known As:

Att älska är att leva See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The "wavishing Kay Fwancis" actually mocked herself in this film for her well-known trouble in pronouncing the letter "R." When George Brent's character notices that her "april" comes out sounding like "apwil," he forces her to repeat "around the rugged rocks the ragged rascals ran," which comes out "awound the wugged wocks the wagged wascals wan." See more »

Goofs

There should be no mountains visible in the background of the Long Island estate, yet there are. See more »

Soundtracks

Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Music by Felix Mendelssohn-Bartholdy
Played on a church organ after the wedding
See more »

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User Reviews

 
An unfocused romantic melodrama carried by the stars, but with a very funny sequence.
22 September 2002 | by Art-22See all my reviews

There's not much of a plot. George Brent piloted a plane which crashed killing his parents and sister, while he walked away with hardly a scratch. So he believes he's living on borrowed time - "living on velvet" as he puts it. But he meets Kay Francis, the fiancee of his best friend, Warren William, and they fall in love. William wants her to be happy and not only approves of their marriage, but helps them out by setting them up in a Long Island estate he rents at $4.50 a month. Still the marriage has its problems because of Brent's irresponsible attitudes about working.

Although the movie is somewhat enjoyable at the melodramatic level, there is one sequence that had me in stitches. To appreciate it, you must know in advance that Kay Francis always had trouble with the letter "r", which often sounded like "w". I notice it in all her movies. Here, George Brent gently ribs her about it. The night they meet, he tells her he likes the sound of her voice, and asks her to say something nice and long. She begins "30 days has September, Apwil June..." "Apwil? Apwil?" he interrupts. "Repeat after me please 'Around the rugged rocks the ragged rascals ran'." Miss Francis repeats it, purposely exaggerating the "w" sound and starts her poem again this time saying "Aprrril", but letting the "w" sound creep in for some of the other months. It is a very funny sequence. As star of the movie, she easily could have suppressed that dialogue, but all the more power to her for letting it stay. It raised my opinion of her considerably.


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