New Moon is the name of the ship crossing the Caspian Sea. A young Lt. Petroff meets the Princess Tanya and they have a ship board romance. Upon arriving at the port of Krasnov, Petroff ... See full summary »
Embittered after serving time for a burglary he did not commit, Joe Bell is soon back in jail, on a prison farm. His love for the foreman's daughter leads to a fight between them, leading ... See full summary »
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he ... See full summary »
Mount Vesuvius looms ominously over the doomed city of Pompeii, a city in turmoil. Its citizens are being terrorized by a group of black-hooded thieves on the rampage, murdering entire ... See full summary »
Hot-tempered Kathleen Maguire enlists the services of a young attorney to help her zookeeper father get his job back after he is fired for political reasons. In the midst of uncovering ... See full summary »
Peaceloving blacksmith Marcus refuses lucrative offers to fight in the arena...until his wife dies for lack of medical care. His life as a gladiator coarsens him, and shady enterprises make him the richest man in Pompeii, while his son Flavius (who met Jesus on a brief visit to Judaea) is as gentle as Marcus once was. The final disaster of Marcus and Flavius's cross purposes is interrupted by the eruption of Vesuvius.Written by
Rod Crawford <email@example.com>
Despite all the spectacle, the movie was a box-office flop, and required several re-releases, often on a double-bill with She (1935) to earn back its cost. See more »
Pontius Pilate committed suicide in Gaul in approximately 38 A.D. and could not have been present in Pompeii during the same year that Mt Vesuvius erupted (79 AD). See more »
Cleon, the Slave Dealer:
I don't think you should look down on me, my friend. Aren't we in the same business? We both furnish amusement for the people.
I risk my life with the man I'm fighting. You buy and sell wretches to be slaughtered as a spectacle. I'm not proud of myself, but, by Jupiter, compared to you I'm a holy man.
Cleon, the Slave Dealer:
You will never be an old one. It isn't bravery that survives; it's brains.
Yes, it is well known that the rat lives longer than the lion, but who wants to be a rat? I wouldn't do your dirty work -...
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The foreword at the beginning of the film is a disclaimer stating that this film is not based on Bulwer-Lytton's novel at all. (It does not use the novel's plot, nor does it have any of the novel's characters.) However, the disclaimer goes on to say that the filmmakers are indebted to him for the description of the destruction of Pompeii. See more »
RKO planned to issue a French and a Spanish version of this film, with Preston Foster and Gloria Shea repeating their lines in those languages, but it is not known if those foreign versions were ever made. See more »
The Last Days Of Pompeii tells the story of a poor blacksmith in ancient Rome who becomes a gladiator and in turn a wealthy man, while his son, upon encountering Jesus, grows up to become a Christian. The film is a spectacle from the middle thirties, after the De Mille manner, which is to say it tries to look big but is actually, upon closer examination, at best mid-sized. RKO didn't really have the bucks to make a film on as lavish a scale as they surely would have wished. The film has many flaws, but also virtues. It was made by the King Kong team of Ernest Schoedsak and Merian Cooper, who were very resourceful gentlemen, highly creative and not at all like other Hollywood film-makers, and therefore the movie has a unique style that's difficult to put into words. The best way I can describe their approach is to say that it's highly individual; its makers had their own way of doing things, and therefore told their their story, or more properly showed it, so that the movie doesn't resemble other films with similar themes. Also on the plus side is its cast, not of thousands, maybe of hundreds; more likely of dozens. In the leading role Preston Foster's anchors the film in a kind of emotional reality. He may not have been the most versatile of actors but he was a most sincere one, and he is excellent in the lead. Also good is Basil Rathbone as Pontius Pilate, surprisingly unhammy. It's a very good movie overall, hokey as hell but always watchable, and in the end, while the spectacle of Mount Vesuvius erupting isn't all it might be, the movie as whole at least holds firm, and I for one was moved by it, not to tears maybe, but in a more modest way, by the smaller, more intimate tale of a good man who comes to his senses too late, at least for redemption in this world.
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