Based on the Edward Bulwer-Lytton novel. Set in the shadows of Mt. Vesuvius just before its famous eruption, the film begins with Glaucus, a Roman legionnaire, returning to his home from ... See full summary »
The different aspects of life in Pompeii, a coastal luxury resort near Naples catering for the very rich of imperial Rome, mainly before but culminating in the eruption of the Vesuvian ... See full summary »
When British officer Harry resigns from his regiment, he is labeled a coward by his family and friends. Harry receives four white feathers as a mark of a coward. In order to redeem himself ... See full summary »
In 1864, due to frequent Apache raids from Mexico into the U.S., a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries, and scouts.
Peaceloving blacksmith Marcus refuses lucrative offers to fight in the arena...until his wife dies for lack of medical care. His life as a gladiator coarsens him, and shady enterprises make him the richest man in Pompeii, while his son Flavius (who met Jesus on a brief visit to Judaea) is as gentle as Marcus once was. The final disaster of Marcus and Flavius's cross purposes is interrupted by the eruption of Vesuvius.Written by
Rod Crawford <firstname.lastname@example.org>
If you listen closely during the African scene, you can hear several "words" used by Noble Johnson in King Kong. See more »
As Vesuvius erupts, a large gladiator statue topples in the arena. In the first view, a long shot, the statue cracks open across the chest, at the bottom of the rib cage. In the next view, from the perspective of a man about to be crushed, the torso is intact, and the crack is at the statue's neck. See more »
Cleon, the Slave Dealer:
I don't think you should look down on me, my friend. Aren't we in the same business? We both furnish amusement for the people.
I risk my life with the man I'm fighting. You buy and sell wretches to be slaughtered as a spectacle. I'm not proud of myself, but, by Jupiter, compared to you I'm a holy man.
Cleon, the Slave Dealer:
You will never be an old one. It isn't bravery that survives; it's brains.
Yes, it is well known that the rat lives longer than the lion, but who wants to be a rat? I wouldn't do your dirty work -...
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The foreword at the beginning of the film is a disclaimer stating that this film is not based on Bulwer-Lytton's novel at all. (It does not use the novel's plot, nor does it have any of the novel's characters.) However, the disclaimer goes on to say that the filmmakers are indebted to him for the description of the destruction of Pompeii. See more »
Positive review of the merits of Last Days of Pompeii
I first saw this movie years ago as a child and it had quite an impact on me. I loved the acting. Preston Foster as the disillusioned blacksmith, David Holt, as the sweetest little boy one could possibly imagine, and John Wood as the older Flavius, so idealistically touched by his experience at the hands of Jesus. But I must reserve the greatest praise for Basil Rathbone. His portrayal of Pontius Pilate, so fine, so sure, is unparalleled. His nuances of effect and strength of personality are superbly matched to this role. You can almost taste the turmoil roiling within him as you watch the splendid emotional battle waged on his wonderfully expressive face. Walt Disney once said, "First you begin with a story." It is true. The story here is classic. A man searching the world for the key he holds within his own heart. Preston Foster, so disillusioned in his flight from poverty, that he fails to see the significance of events around him, Flavius, as the boy grown to manhood touched by a higher calling and Basil Rathbone as Pontius Pilate, probably the second most reviled figure living at that time. Wonderful, wonderful historical novel, acted brilliantly as only the actors of that time could do.
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