Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ... See full summary »
Mr. and Mrs. Bennet have five unmarried daughters, and Mrs. Bennet is especially eager to find suitable husbands for them. When the rich single gentlemen Mr. Bingley and Mr. Darcy come to ... See full summary »
Robert Z. Leonard
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to London to work for a living. When David escapes to his aunt Betsey his life starts to get better.Written by
David O. Selznick immediately met opposition about making the film from his father-in-law and studio head, Louis B. Mayer. He distrusted classics as they invariably disappointed purists and bored those who hadn't read the original source material. After browbeating Mayer for over a year, finally he relented and granted Selznick a $1 million budget to make the film. See more »
Micawber folds the paper of accusation twice. See more »
Film opens with the last sentence of Charles Dickens's preface to the original edition: "Like many fond parents, I have in my heart of hearts, a favourite child, and his name is David Copperfield." See more »
Also shown in a computer colorized version. See more »
Good Christian Men, Rejoice
Words attributed to Heinrich Suso (14th century)
Latin Translated to English by John M. Neale
Partially Sung and played during the opening credits See more »
The best cast, best rendition of a classic novel ever.
I've read "David Copperfield" at least a half dozen times. If it's not the greatest novel in the English language, then it's darned close to it. Like any Dickens work, there are plots within plots and scores of major and minor character. With the exception of excluding poor Traddles, this film catches the essence of the story better than any since--and I defy anyone to cite a better movie for casting the right actor with the right character. Of course, W.C. Fields' Mr. McCawber was superb and has been cited time and again as a great characterization, but it's also difficult to fault Basil Rathbone's Mr. Murdstone, Edna may Oliver's Aunt Betsy, Roland Young's Uriah Heep, Freddy Bartholomew's young David, Lionel Barrymore's Mr. Peggoty or Maureen O'Sullivan's Dora Spenlow. As well, George Cukor's direction and period details are top-notch, as is the screen adoption of a very complicated novel. It's simply one of the greatest movies ever made.
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